If you’ve ever wanted to sing bluegrass harmony and didn’t know how to learn, or if you’ve been trying and need some help figuring out the parts, Stephen Mougin has come to your rescue.

Stephen plays guitar and sings with Sam Bush. He knows his way around bluegrass harmony, and he’s come up with a learning tool that is top notch.

His recording studio, Dark Shadow Recording, has produced two CDs designed to help you learn to sing harmony naturally.

Bluegrass Tenor Singing (featuring Russell Moore)
Bluegrass Baritone Singing (featuring Ronnie Bowman)

What Stephen has done is to take five traditional bluegrass songs, and produce a great quality recording of each one. The songs are:

• Little Cabin Home On The Hill
• Mr. Engineer
• Blue Ridge Cabin Home
• My Little Georgia Rose
• How Mountain Girls Can Love

I spent some time with the tenor CD and it’s great. The recordings are well done and these are quality arrangements worth learning. The band consists of Adam Steffey (mandolin), Megan Lynch (fiddle), Ned Luberecki (banjo), Daniel Hardin (bass), and Stephen Mougin (guitar). The vocals, the focus of the project, are sung by Stephen (lead vocal), Russell Moore (tenor), and Ronnie Bowman (baritone).

The first track for each song presents you with the full mix of the tune so you can get a feel for what the finished product should sound like. We all like to sing along with recordings, so go ahead do so, but be sure to spend some time just listening as well. Listen to the blend of the three vocals.

The second track for each tune consists of just the choruses of the song, cut together back to back, with only the band and the lead vocal. This track is important. It will help you learn the melody, as well as the phrasing and dynamics. I worked with Little Cabin Home On The Hill, and noticed that the final chorus is a bit different than the others. It’s got a minor little frill that sets it apart. This is common in bluegrass, and I’m glad they included it in the arrangement.

Once you’re comfortable with the melody, phrasing, and dynamics of the song, you can move on to the third track. This track is identical to the second, back to back choruses, with the tenor (or baritone, depending on which CD you’re working with) vocal, and no others. This allows you to hear the part you’re trying to learn. Still in the context of the band, you’ll hear where the harmony part lies within the chords. You can repeat this track until you’re confident that you know the part, then move on.

The fourth, and final, track for each tune is the same as the first, but with the harmony part removed. On the tenor CD, you’ll hear the full mix of the song, solos and verses included. On the choruses however, you’ll hear only the lead and baritone vocals. It’s up to you to provide the tenor part. This provides you with a sort of “jam along” track, where you can try out your new skills.

This is a great way to learn these parts, and I think you’ll learn more than just the five songs included on the disc. You’ll learn to hear where the parts are, and should be able to take your new skills and figure out the harmony to other songs as well.

The Bluegrass Harmony Training Series CDs are sold individually for $15 + S/H or you can purchase both the tenor and baritone CDs as a package for $25 + S/H.

Here’s a video introduction to the series.

Sam Bush has created a series of videos to highlight the music from his new Sugar Hill CD, Circles Around Me. Produced by Craig Havighurst of String Theory Media, they feature Sam and his talented band performing music from the CD live in the studio, recorded at Cowboy Jack Clement’s studio in Nashville.

Here is the first installment, with Sam and the boys laying out a live version of the title track, along with some interview segments with Bush. Scott Vestal is on banjo, Stephen Mougin on guitar, Byron House on bass and Chris Brown on drums.

Sugar Hill also sent some photos from Sam’s album release party in Nashville on October 20. It was a star-studded affair, held at the Sound Emporium, which not only marked the street debut of Circles Around Me, but Sam and Lynn Bush’ 25th wedding anniversary as well. (more…)

Samuel John Mougin was born on October 12 at 12:30 p.m. (CDT) to Jana and Stephen Mougin in Nashville.

Stephen and Jana are both musicians, with Stephen currently working as guitarist with Sam Bush, and as a free lance producer and session player.

Jana was the bass player and lead singer for Fragment, a very popular group from the Slovak Republic.

We visited with them during IBMA in late September, where Jana was clearly ready for the baby to come. Stephen sent along a few photos, along with a brief status report…

“We’re up to our eyeballs in baby stuff here at the hospital! Things are well, baby is rockin’, momma is rockin’!”

Congratulations to Stephen and Jana from The Bluegrass Blog!

One of the things that IBMA promotes heavily is education—the music, and about the music business. To that end they have a wide variety of seminars throughout the week on topics ranging from the technical side of the music (”New Developments in Live Sound Technology”), to personal well-being (”Weight Management and Diabetes Prevention on the Bluegrass Road”); from internet marketing and social networking to how to negotiate a contract. This year they have the largest variety of truly useful topics that they’ve had yet. I’ve been to several and each has been wonderfully informative.

For Monday’s “Teaching Bluegrass: An Alternative Revenue Stream” moderators Ned Luberecki and Megan Lynch were joined by panelists Terry Baucom, Stephen Mougin, and myself. Many players rely on teaching to get them through the slim winter months when the gigs are few and far between. We covered many different avenues of instruction including private lessons, group lessons, workshops, camps, DVDs and books, and internet lessons. The last is a recent development and not many people are offering this option yet. Strangely (to us anyway) Mike Compton has been on the leading edge of this technology and has been doing internet lessons for quite a while. Anyone interested in pursuing that avenue, either as a teacher or as a student, should consult his FAQ page.

Tuesday’s “Writing for the Internet: Blogging and Building an Audience” was hosted by our own John Lawless. Panelists included Ashby Frank, sometime contributor to this publication who blogs on his own website; Ted Lehmann of Ted Lehmann’s Bluegrass, Books and Brainstorms blog, and Craig Shelburne who contributes to and edits the blog over at CMT.com. Despite what it looks like in the picture, the discussion was lively and extended. The crux of the discussion was that blogging should be entertaining to the audience, who you hope will come back to your site on a regular basis. Facebook, Twitter and other social networking sites are good tools to use to drive people to your site where, hopefully, they’ll buy your CD, or look at your schedule and come out to a show. It’s all about staying connected to people and letting them get to know you through your writing.

They talked a little bit about the technical side of blogging—using programs  such as WordPress, or Blogger—but mostly about the power of changing content to get people to visit your site every day or every week. The Bluegrass Blog is the best at this. I don’t know about you but even when I’m not writing for the Blog I read it every day and it is my main source of bluegrass news.