The American Made Banjo Co. will unveil their new lightweight banjo tone ring today at the SPBGMA convention in Nashville.

The Aluminum Dannick tone ring came into being after American Made owner Tom Mirisola’s search for a lighter banjo with a full flathead tone ring. He studied a number of alloys that could be cast and machined for use in his banjos.

“I stopped at the metal titanium, and felt I was at the end of the road. Titanium had the sound potential but the casting process was not cost effective for a tone ring. So, that idea was scratched fast. While searching for other aluminum alloys, I found another metal called ticalium (Pat-Pend). This is a mixture of aluminum, titanium and carbon. The hardness of this alloy could be adjusted based on the formula.”

Tom said that ticalium rang like a bell, but since their patent was pending, he knew he would not be able to use the alloy. He finally settled on a high-strength aluminum alloy developed by NASA which was also very hard with a bell-like tone. They poured a few aluminum tone rings and cut them to match the original Dannick tone ring.

“Our first test was when Robin Smith installed one in a maple banjo. It had great volume, but the tone was a little bright for our taste. Robin then suggested he install the aluminum ring in a mahogany rim to soften the sound a little. This became the necessary wood/metal combination. As an all mahogany banjo with the aluminum tone ring, the tone, volume and sustain was perfect to our ears.

One day Scott Vestal who markets his signature Stealth Banjo, was at Robin’s shop. He picked on the aluminum prototype banjo, and said, ‘That’s the sound I’ve been looking for.’ Scott then directed Robin to build a couple of fancy Stealths with elaborate binding and quilted mahogany resonators. These Stealth banjos with a Dannick Aluminum tone ring will be on display in the McGavick Room at SPBGMA 2008.”

The Dannick aluminum tone rings are cut to the same dimensions as American Made’s Dannick tone ring, and offer a full size 20 hole ring that weighs in at only 18 ounces. They are unplated, buffed to a bright finish to match the metal parts in a nickel banjo and sell for $435.

Oregon based multi-instrumentalist, Joe Ross has recently announced the release of a third album in as many years.

Following Festival Time Again (released in 2006) and Spirit of St. Louis (2007) albums, both featuring all-original songs, is a new CD entitled, Bluegrass Alphabet – officially released Saturday, January 12, 2008 on the Zephyr Records label. The 12-track album features original bluegrass and Americana songs written by Ross during the past three decades, as well as a novel arrangement of My Bonnie with autoharp, whistle, Japanese koto, among other instruments.

The title cut, which tells the complete story of bluegrass music from A to Z, was inspired by a sailors’ alphabet song that Ross plays on concertina in his solo shows.

As well as singing lead on most of the tracks, Ross plays guitar, mandolin, upright bass, and keyboard on the project. Most vocal harmonies are handled by Nashville-based musician Randy Kohrs, while noted local Roseburg, OR vocalist Jamie Kruse makes a cameo appearance on the song, The Loneliest Season. Other well-known artists working with Ross on Bluegrass Alphabet include Bryan Bowers (autoharp), Tim Crouch and Adam Haynes (fiddle), Mitsuki Dazai (koto), Ben Greene and Scott Vestal (banjo), Jason Heald and Jerry McNeely (bass), James King (guitar), Kevin Prater (mandolin and guitar), Ronnie Stewart (banjo and fiddle) and Radim Zenkl (pennywhistle).

Wayne Bledsoe, editor of Bluegrass Now magazine, speaks highly of Joe’s abilities ‚Ķ‚Ķ..

“A man of both deep feeling and deep thinking, Joe Ross has few peers as a singer and a songster. He epitomizes the ideal contained in the 19th century French philosopher/historian, Jean Jacques Rousseau’s observation that ‘‚Ķdeep thinking is obtainable only by a person of deep feeling.’ The lyrics penned by the Oregon ’songster’, Joe Ross, attest to his astute ability to evoke in his listeners an emotional response to the joys, mysteries, and sorrows of life.”

While Stephanie P. Ledgin, author of Homegrown Music: Discovering Bluegrass, observes,

“Joe’s words come alive. A novel kind of guy, Joe Ross is a songwriter for all seasons who has cultivated his craft, demonstrating his formula for creating bluegrass songs. A multi-year award winner in the Portland (Oregon) Music Association Songwriting Contest, he cleverly sums up many of the elements of bluegrass in the title cut. Carrying through on that theme, ‘Bluegrass Alphabet’ – the song and the entire recording – is a CD that expresses, many times over, the love, knowledge and passion Joe holds for bluegrass music. He takes us on a tour of emotions and places, exhibiting a multitude of influences that go into his song writing.”

Bluegrass Alphabet (Zephyr 0431) will be distributed worldwide via Super-D/Phantom One-Stop, and is available from popular onloine resellers. Sound clips can be found on CD Baby.

Beginning January 26, Ross will be on an extended tour to promote the new album.

For many years now the legend of the Sidemen has lived on even though the group no longer performs at Nashville’s Station Inn.

In recent months, a new group of sidemen have come together to fill the void. They call themselves the Mashville Brigade. The group performs most Tuesday nights at The Station Inn and consists of pickers who all play in different bands on the road.

The line up may not be exactly the same every night if one or more of the guys has a gig somewhere, but the group more or less consists of Aaron McDaris (banjo), Ashby Frank (mandolin), Darrel Webb (guitar), Greg Martin or Randall Barnes (bass), and Jim VanCleve (fiddle).

The group makes an effort to play a strait up hard driving bluegrass setlist each Tuesday night, entertaining the crowd of hardcore fans who turn out for the shows.

Tonight, the line up will be a little different, as the band welcomes a few friends to the stage to “Mash” one with them.

At tonight’s show, band will be:

Josh Williams – guitar and vocals (formerly of Rhonda Vincent)
Darrel Webb – Mandolin and vocals (Currently with Rhonda Vincent)
Tim Dishman – Bass (Special Consensus)
Scott Vestal – Banjo (Sam Bush Band)
Jim VanCleve – Fiddle (Mountain Heart)
Daren Shumaker – sound engineer (Ronnie Bowman & Mountain Heart)

We’re expecting a fun crowd and a lot of energy, as we just recently fronted a show for Dierks Bently (where he graciously gave the Mashville Brigade a glowing review from the stage) at a Charity event in Nashville. You just never know who’s gonna drop in and mash one or two with the band, too, so it’s usually pretty interesting!

The Station Inn has dubbed the Mashville Brigade shows as $5 Tuesdays. The cover charge, pizzas, and pitchers of beer are each $5. If you’re in town, be sure to stop by and watch the guys Mash one!

Pinecastle Records has released three new CD projects this week, each of which we had previewed for you here prior to their street date. They have also launched a new, completely redesigned web site which Andy Evans at Pinecastle tells us has been in the planning stages for several months.

The new releases are from longtime Stanley bass man, Jack Cooke (Sitting On Top Of The World), The Circuit Riders (Let The Ride Begin) and a second compilation set from their extremely popular bluegrass instrumental series (More Ultimate Pickin’).

Andy says that they are still making minor site revisions, but expect that all the bugs will be found and fixed in the next few days. He invites everyone to stop by and have a look around.