Ralph Stanley II - This One Is II
After performing for the past 15 years under the tutelage - and the shadow - of his famous father, Ralph Stanley II is ready to establish his own musical personality. He has a new CD due for release in September, and is leaving The Clinch Mountain Boys to perform with his own group.
This One Is II may come as a surprise to fans who have enjoyed his previous recordings, offering a stylistic departure as sudden as it is stark. I saw “II” only a few weeks ago with the Ralph Stanley show, and while he did perform one song from the new CD, there was no hint from the stage how much of a change he is pursuing.
Hopefully bluegrass fans will give this new project a fair hearing, as the music - if not strictly bluegrass - is very appealing, and well-suited to Stanley’s voice. The sound is a mix of bluegrass and acoustic country, and the instrumentation is all acoustic, without percussion. The most striking differences from his prior releases come in the song choices and the production (by Mike Latterell). Even using the standard bluegrass ensemble (and familiar bluegrass super-pickers), the arrangements are fresh and thoughtful, giving each song the treatment suggested by the melody and lyrics.
For example, the opening track (a cover of Garth Brooks’ Cold Shoulder) uses Tim Crouch’s twin fiddles and Randy Kohrs’ gritty resonator guitar much as a country producer might, and Ralph’s vocals are as reminiscent of Keith Whitley’s early Nashville sound as anything The Stanley Brothers ever cut.
Other strong tracks include a nice version of Lyle Lovett’s, L.A. County (a modern murder ballad), Tom T. Hall’s Train Songs, and Loretta, from Townes Van Zandt. That last - a paean to an idealized girlfriend - makes a very convincing grass tune, and Ralph’s mountain-edged vocals really sell the story.
Randall Deaton of Lonesome Day Records, who will be releasing This One Is II on September 23, tells us that Stanley started this project looking for a change, but wasn’t completely clear where he wanted to go.
“When I first spoke with Ralph on the phone I had never had a conversation with him in my life. The one thing I got from this first conversation was that he wanted to do something else. I didn’t know exactly what it was, and I don’t think he knew what it was either. There was a mix of restlessness, excitement, and fear all rolled into one.
The record evolved after the production began. I think that we all got more and more excited as the process went along because things were turning out better than we had anticipated.”
Stanley describes that evolution thusly…
“It started out as a record that would be half acoustic country and half Stanley sounding. The more we got into it, the more we realized we were making two separate records rather than two halves of one record. We continued in the acoustic country direction.” (more…)











