Longtime readers of The Bluegrass Blog will have noted my fondness for The Bluegrass Intelligencer, a news parody site – a la The Onion – that focuses on personalities in the bluegrass and acoustic string world.

I find the site to be clever and uproariously funny, though you might want to be wary if you are easily offended by ribald themes or occasional vulgarity.

A number of new stories have been posted this past few days which should be good for a chuckle. One that really cracked me up covers a supposed new turn in the personal life of new Punch Brothers bassist, Paul Kowert.

Paul Kowert Weds Own Bass in Holy Matrimony – Ex-heartthrob forgoes female companionship forever

BROOKLYN — Young bassist Paul Kowert, who recently landed his dream job as a member of the popular band Punch Brothers, has just startled the bluegrass world by announcing that he is newly married.

According to his publicist, Kowert has taken a three-year-old American upright bass as his lawfully wedded spouse.

Kowert, who moved to New York City late last year, is an alumnus of the Curtis Institute of Music and the winner of SPBGMA’s Bachelor of the Year award in 2008.

Kowert’s highly unconventional marriage has both appalled traditionalists and delivered unthinkable disappointment to enormous numbers of female fans.

"He is a true Punch Brother now," said bandmate Chris Thile.

Read the full post online.

Also highlighted in that piece is a non-fake YouTube clip of Paul demonstrating his virtuosity on the upright bass, a brilliant duet with Punch Brothers fiddler Gabe Witcher on the Carter Family classic, You Are My Flower.

It’s hand held video from a live show, and gets a bit jerky, but Kowert’s performance is simply brilliant.

There is a wealth of Punch Brothers media recently posted online, showcasing them both as exquisite musicians and fun guys.

First off, video from their 2/9 appearance on The Woodsongs Old Time Radio Hour has been made available online. This program was wholly dedicated to Chris Thile’s ambitious composition, The Blind Leaving The Blind, which serves as the primary focus of the band’s debut release, Punch. It is written in four movements, combining lengthy intricate instrumental sections with a song-like story that weaves through the nearly 40 minute piece.

You can watch them perform all four movements online in Windows Media Video. Folks who found this piece a bit daunting on the CD may find that seeing them play it live makes the music much more accessible. I’ve seen them do this piece live and it strikes me as a breakthrough accomplishment on several levels.

When you have time for the whole thing, treat yourself to this video – and try to approach it without preconceptions.

The “fun guys” part can be found in two posts on the Punch Brothers blog.

On 2/4, fiddler Gabe Witcher (aka The Judge) brought forth a 2008 Punch Brothers year in photos, with dozens of pictures of their life on the road – complete with a running commentary. The vibe is silliness, showing the band acting out and behaving oddly for the camera, plus a visit to the friendly confines for a Cub game during a day off in Chicago.

Here are a few samples…

        

Then late last week, new bassist Paul Kowert introduced himself to readers of the band blog with an overview of life on the road with the Brothers, which he closes as follows:

Band idiocy is central to our lives, especially on the road. Here are some of the ways we entertain ourselves:

–Pull pranks on each other, like stealing Holt’s wallet and phone (texting each other embarrassing messages from his phone), tying each other’s instruments to chairs and tables, unbeknownst to the owner. Stealing each other’s shoes.
Nota bene: most of these pranks are instigated by Pickles and directed at Holt.

–Reference band member lore. Add details to lore, and expand upon each other’s nicknames.
Nota bene: most of this is instigated by Pickles and directed at Holt.

–Talk about women.

–Play with the iFart application on Pickles’ iPhone.

–Fight off inconsolable sadness.

Read the whole thing online.

Punch Brothers have brought on young bass monster Paul Kowert to take the spot of departing founding member Greg Garrison. The band otherwise remains the same (Chris Thile on mandolin, Noam Pikelny on banjo, Chris Eldridge on guitar and Gabe Witcher on fiddle).

Kowert, 22 years old, had been touring this fall with mandolinist Mike Marshall in his Big Trio (along with 16 year old fiddler Alex  Hargreaves), and studied at The Curtis Institute of Music in Philadelphia with Edgar Meyer. He began with Thile’s band this past weekend.

We caught Punch Brothers last night in Roanoke, and Kowert is more than up to the task. Not only has he memorized the demanding Punch Brothers repertoire, but he is a brilliant soloist in his own right. His tone (both arco and bowed) was gorgeous, and his use of a C extender on the low E string – and his comfort playing at the uppermost region of the fingerboard – brought a new dimension to the band’s already impressive sound.

Thile seemed to revel in Kowert’s bass work, and could be seen congratulating him after a couple of songs. Paul also sings a good bit of the vocal harmony in the band.

I don’t suppose there is any news value in pointing out that each member of Punch Brothers was equally stunning on stage, as was the group as a whole. They continue to strike me as the most technically gifted string ensemble yet assembled, and the discipline they exhibit individually and as a unit is a wonder to behold.

No word as to Garrison’s current or future plans. His MySpace profile has been recently deleted.