Gibson has a lengthy article on their web site which features an interview with blues artist Otis Taylor, whose Recapturing The Banjo CD we discussed here last week.

The newly-released project represents Taylor’s desire to reconnect the banjo as it is known in our modern society with its African roots, and the fact that it was African slaves who introduced it in America, and their descendants who made it a part of our musical culture.

As he explains to Ted Drozdowski at Gibson.com…

"I want people to know that the banjo came from Africa‚Äîthat it’s an African instrument," Taylor explains by phone from his Colorado home. "Recapturing the Banjo is an educational album, not just good music. A lot of people think the banjo was developed for bluegrass or Appalachian folk music, but banjo-like instruments discovered on archeological digs in North Africa have been dated back at least 700 years. I want to recapture the banjo’s identity as a black instrument. It didn’t get here until the slaves did."

We applaud Taylor for his effort, and wish him great success. Our beloved 5 string can only benefit from a wider acceptance from new artists (and audiences), something Taylor recognizes as well.

"I do see a little bit of a resurgence of interest in the banjo," Taylor concurs. "Every time a young band gets on stage with one and their fans see it, it’s a good thing, because it makes the banjo contemporary. Which it is. My album has some old music, but it’s very modern. The truth is, with a banjo‚Äîwhether it’s a black-music thing, an old-timey thing, or a psychedelic thing‚Äîin the right hands it can sound timeless.”

Read the full piece at Gibson.com, where they also have a free MP3 download from Recapturing The Banjo.

Students and fans of bluegrass and old time music, and a great many people with an interest in American folk music, know of the African roots of our beloved banjo. Academics and ethnomusicologists have written extensively on the topic, but the instrument has had precious few practitioners among black Americans in recent history.

Events like Tony Thomas’ Black Banjo Gathering have worked to reclaim it’s African heritage – and explain it to younger American blacks – while the tremendous popularity of the Carolina Chocolate Drops has presented black banjo music to festival and concert audiences worldwide.

Now, we have the latest release from blues artist Otis Taylor, entitled Recapturing The Banjo, which is a move in just that direction. Due on February 5 from Telarc Records, the CD features not only Taylor, but other black banjoists Guy Davis, Corey Harris, Alvin Youngblood Hart, Keb’ Mo’ and Don Vappie as well.

"The banjo has become so closely associated with folk singers and bluegrass players. Over the years, the instrument just lost touch with its roots, and I’m just trying to re-establish that connection.

I wanted to make an album that was historically significant, but at the same time, I didn’t want to make a record that that was too academic. It’s not a history lesson that needs to be pushed in anyone’s face. We just wanted to reconnect the music back to the people who brought it here in the first place.”

The music is presented with a variety of banjo styles on both 4 and 5 string instruments, and has won some rave reviews both for the strength of Taylor’s original songs and the overall impact of the many performers’ contributions. We could not find any audio samples online, but they should appear soon on the Telarc web site.

Telarc has put together a YouTube video showcasing the artists whose music is featured on Recapturing The Banjo, which includes both commentary and banjo picking.

To find out more about the African roots of the modern banjo, check these resources:

• The Old Time Herald article by Pete Szego
• The History of Gourd Banjos
• Black Banjo Gathering
• The Banjo: From Africa to America and beyond
• Banjo Ancestors: The Lutes Of West Africa
• Banjo Roots on MySpace