Continuing with a Bill Monroe/Neil Rosenberg theme…
I recently had occasion to correspond with Neil about his upcoming book, The Music Of Bill Monroe, written with the late Charles Wolfe, and due for a 2007 release by the University of Illinois Press.
It is described as a bio-discography, combining a complete list of all commercial recordings Monroe made in the course of 60 years, with essays that describe his musical career and the musicians with whom he was performing at various points during that time.
The discography begins with the first Monroe Brothers recording in February 1936, and carries to his last, with Billy and Terry Smith, in February of 1996. In all, more than 1,000 recorded performances are detailed in the book.
The authors collected the information necessary to compile the discography by accessing the recordings themselves, record company files, union session documents, interviews with musicians and producers, and the work of other researchers.
I asked Neil how they separated Monroe’s recorded work into segments for the book.
“The nine chapters are arranged chronologically (1936-38, 1939-41, 1942-45, 1946-49, 1950-56, 1957-62, 1963-72, 1973-1980 and 1981-96). Each consists of an essay discussing Monroe’s musical activities and introducing the musicians with whom he was involved during the period covered, followed by discographical data: each recording session with such information as date, place, personnel, pieces recorded, record numbers, etc.”
Rosenberg had become fascinated with Bill Monroe’s music as a young man, and began to build a list of his recordings after getting a chance to fill in with The Bluegrass Boys on banjo in 1961. That personal compilation eventually led to the publication of his first book.
“I had wanted to become more familiar with Monroe’s repertoire so that it would be easier for me to play his music. (more…)