Rural Rhythm Records signed cowboy crooner – and recent bluegrass convert – Michael Martin Murphey to a multi-album contract during last week’s IBMA convention in Nashville.

Murphey was in town to perform with a number of Rural Rhythm artists at IBMA, and to showcase two new singles from his next RR CD, Buckaroo Blue Grass 2, due in February 2010. The first is a remake of Wildfire, his 1975 radio hit, sung as a duet with Carrie Hassler, and the other a new MMM song, Running Gun, which tells a classic western story done up bluegrass style.

Michael and Carrie are especially stoked about getting to perform the new version of Wildfire during halftime at the SMU-Navy game in Dallas on October 17. Look for it to be released for digital download around the 17th.

Bluegrass folks seemed to warmly embrace Murphey at IBMA, and he returned the favor posing for photos and signing autographs for fans. He did a cameo during Audie Blaylok & Redline’s main stage showcase set where he was met with enthusiastic applause.

Buckaroo Blue Grass 2 will  feature a who’s who cast of bluegrass pickers, including Sam Bush, Charlie Cushman, Troy Engle, Pat Flynn, Andy Hall, Rob Ickes, Andy Leftwich among them.

Here are sneak peek samples of the two new singles.

Wildfire – Listen Now    

Running Gun – Listen Now    

For a change, I was able to stay for all three main stage acts at Wednesday’s (9/30) lunchtime showcase, and I saw some very strong performances.

Darren Beachley & Legends Of The Potomac were up first. That may sound like a fairly grandiose name for a new band, but with former Seldom Sceners Tom Gray on bass, Mike Auldridge on resonator guitar, and former Bluegrass Cardinal Norman Wright on mandolin and tenor vocals, the name fits.

Their set featured music from an upcoming CD on Patuxent Records, with Darren Beachley (former member of Quicksilver) on guitar and lead vocals and Mark Delaney on banjo.

No matter how well they played or how solid the material they chose, nothing could overshadow getting to hear Wright’s soaring tenor on stage again! His voice was clear and strong and anyone who cherished his recordings with the Cardinals had to be immediately swept up in the sound – as I surely was.

The name also fits given that their style calls to mind what could be described as the Washington, DC bluegrass sound. Both The Country Gentlemen and Seldom Scene emerged from that community in the 1960s and ’70s, and Darren and the Legends carry it forward just fine.

Next up was G2, a young bluegrass band from Sweden. Wonder what a Swedish bluegrass band sounds like?

Well with these guys, it sounds exactly like it does in Virginia, North Carolina, Kentucky or Tennessee. Their style is modern, but it’s clear that all five of them have intently studied the music, and they play it with a confidence and authority you might not expect from a young European band.

Almost all of their music is written by guitarist Christoffer Olsson, who also handles the lead vocals. As resonator guitarist Tobias Strömberg mentioned during the set, “It’s hard to believe all those big words come out of such a little man.” Olsson’s songs are thoughtful and original, avoiding the sort of stereotypes that can plague artists who work in a style that is foreign to their culture.

But all of these musicians could go to work for Doyle Lawson. Mandolinist Erik Igelström has obviously mastered his instrument, but plays with a highly individual style. Bass player Jimmy Sunnebrandt, like most of the band, grew up with a father who played country and bluegrass fiddle. Erik told a story about Jimmy as a tyke going with his father to shows, where he would sit in the front row reading Donald Duck comics until his dad would call him up to play a tune with them on fiddle. After he was finished, he would return to his seat and his reading.

Banjo picker Jens Koch really stands out, and is among the very best young, traditional bluegrass banjo players in any country. He works effortlessly in the JD Crowe/Ron Stewart idiom, and I can see him becoming one of the tops on his instrument in the next few years. Strömberg was impressive as well. (more…)

This sent in by Tony Williams.

On Friday, April 3rd, 2009, The Josh Williams Band was asked to back up legendary western singer, Michael Martin Murphey at Owensboro Kentucky’s eighth annual "Bluegrass Returns to Its Roots Festival."  Josh Williams said, "the band and I felt honored to perform with Michael, as we all think he is one of America’s Premier singer-songwriters.  I recorded his "Carolina In The Pines" with "Special Consensus" several years ago, and it is still one of my most requested songs So it was a special thrill to get to perform that song with him!"

And here a couple photos he sent along of the Josh Williams Band with Michael Martin Murphey.

The video from this week’s edition of the Woodsongs Old Time Radio Hour with Michael Martin Murphey can now be viewed online.

Murphey is doing the rounds promoting Buckaroo Blue Grass, his new album on Rural Rhythm, which features a number of his familiar hits along with a bunch of new songs recorded bluegrass style. On this outing, he has a top notch bluegrass band in tow: Casey Henry on banjo, Mike Bub on bass and Troy Engle on fiddle.

You can see the entire show, which also has a performance from Tom Rush, online.