Lovell Sisters… busy, busy, busy
I had a chance to speak today with Jessica Lovell, the fiddling third of the sibling trio, The Lovell Sisters. She was making final preparations to leave for their European tour, which begins this Sunday (8/31) in Norway.
We talked in some detail about what the three young ladies have been doing for the past year or so, and got an answer to the question they have been hearing from their fans for the past two years… “When are you guys going to have a new CD out?”
The only studio recording they have released came in 2005 (When Forever Rolls Around), not long after they won the National Teen Talent Competition on Prairie Home Companion, and only a short time after the three of them embraced bluegrass music, leaving their classical studies behind.
Big things have happened for the girls since then, and their sound has matured as their professional life has expanded. A new album seemed like an obvious next step after being invited to showcase at IBMA in the fall of 2006, and by the middle of 2007, Jessica said that it looked like all their hopes were about to be fulfilled.
“We were working with a manager who was shopping us to labels in Nashville, and we had met with five of them who were serious about signing us. After a lot of thought and discussion, we decided to sign with Lyric Street Records, which is a division of Disney.
They had paired us up with producer Mark Bright, and everything seemed perfect. Mark had just finished producing Carrie Underwood, so we knew he could work well with female artists, and he had previously produced Mountain Heart, so we knew he was great with bluegrass and acoustic instruments.”
As they got closer to start recording, they started to get nervous about the direction things were taking. It was becoming clear that the label had chosen a path and a sound for the Lovells, and that the artist’s input wasn’t a high priority.
“It really hit me when Mark Bright mentioned one day that when he worked with Rascal Flatts, the biggest problem he had was convincing them not to record any of their original material. That hit me hard, as we wanted to do exactly that!
I don’t mean any disrespect to Mark or Lyric Street. They were great to us and treated us very fairly. It just started to look like we were heading into a place where we would lose control over our music.” (more…)


Episode #17 of The GrassCast features two interviews. The first is with singer 








