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Rebel releases for 2009

Rebel RecordsI caught up with Mark Freeman of Rebel Records recently, and he shared some information about their release schedule for 2009.

We mentioned last week that they would have a new Lost and Found CD in March, and Mark tells us that they will also have a Barry Scott Gospel project, the debut from Spring Creek and a new album from David Davis & the Warrior River Boys between April and May.

“That will quickly be followed by Don Rigsby’s first Gospel recording for Rebel sometime in June. I’m confidant Paul Williams will have a new album ready for this year, as he always does.

And that’s just the new projects… we have a few reissues and compilations planned as well. I’m confident that the John Duffey collection we’ve been promising for the past few years will see the light of day sometime this Spring; we’ll also have a Mac Wiseman CD on our Vault Masters Series coming out around that time too.

A collection tentatively titled Drive Time Bluegrass will be the first release of the year on our budget-priced 8000 Series – that will probably drop sometime early Summer. There are also plans for a second Larry Sparks Gospel compilation, a retrospective on Benny & Valle Cain, and a repackaged McPeak Brothers collection as well.”

That’s a lot to be looking forward to from Rebel this year. Hat’s off to them for continuing to release both new music, and compilations from tehir extensive collection of classic bluegrass.


SCENEchronized due August 14

SCENEchronized - Seldom SceneGreat news for Seldom Scene fans…

SCENEchronized, their first CD of new recordings since 2000, is expected from Sugar Hill Records on August 14.

This new Scene project will contain 13 tracks, with songs from Paul Craft, Bob Dylan, Steve Earle, Merle Haggard and Donna Hughes. It also features a number of tributes to founding member, the late John Duffey, with refashioned versions of two songs he recorded with The Country Gentlemen and one he wrote and cut with the original Scene 34 years ago.

On this list is Katy Dear, one of my favorite Country Gentlemen songs ever. Current guitarist Dudley Connell explains how they came to choose this song, and record it with 3 part harmony start to finish.

“We all knew this one from the Gentlemen, and we would pull it out from time to time just for the sheer pleasure of harmonizing together.”

Lou Reid adds his homage to Duffey with a redo of This Morning At Nine, and Fred Travers sings Don’t Bother With White Satin, a John Duffey/Ann Hill composition that had appeared on their Act III album in 1973.

“I brought this song up with Duffey right after I joined the group [in 1995],” says Connell. “And he said that whenever he sang it, he only got a smattering of applause, so we never did it with Duffey. But now when we sing it live, it goes over really well.

Fred really nails it. I swear, it’s like he’s channeling Duffey.”

In true Seldom Scene fashion, they include a couple of rock/pop songs turned bluegrass: John Fogerty’s A Hundred And Ten In The Shade; Please Be With Me, recorded by both Eric Clapton and The Allman Brothers; Bob Dylan’s Tomorrow Is A Long Time.

Members of Seldom Scene are Dudley Connell (guitar), Lou Reid (mandolin), Fred Travers (dobro), Ronnie Simpkins (bass), and lone remaining original member, Ben Eldridge (banjo).

We couldn’t find any audio samples online yet, but we’ll be sure to post back when we do.


John Starling and Carolina Star Day in DC

Adrian Fenty, the Mayor of The District of Columbia, has issued an official proclamation designating February 23, 2007 as John Starling and Carolina Star Day in the District.

The text of the proclamation reads:

WHEREAS, the greater Washington, D.C.-area has become one of the most active, creative and productive Bluegrass and Old-Time Music Communities in the world; and

WHEREAS, John Starling, Mike Auldridge and Tom Gray along with John Duffey, whose notice of passing was recently entered into the Congressional Record, have been instrumental to the D.C.-area Art And Cultural Landscape, influencing an entire generation of American Roots and Bluegrass musicians including Emmylou Harris and the Nash Ramblers, Ricky Skaggs and Linda Ronstadt; and

WHEREAS, John Starling served his country as a US Army surgeon in Vietnam and at the Walter Reed Army Medical Hospital; and

WHEREAS, the artists have rekindled their 30-plus year relationship and now return to Alexandria’s Birchmere Music Hall on the 23rd of February, 2007, to celebrate their impact on American Music and the Washington, D.C.-Area Bluegrass scene:

NOW, THEREFORE, I, THE MAYOR OF THE DISTRICT OF COLUMBIA, do hereby proclaim February 23, 2007, as “JOHN STARLING AND CAROLINA STAR DAY” in Washington, DC, and call upon all the residents of this great city to join me in observing this day as we demonstrate our appreciation of these artists’ contribution to a unique American Art Form, and the Art and Culture of the Washington, DC area.

Adrian M. Fenty
Mayor, District of Columbia

The debut CD from Carolina Star, Slidin’ Home, was released today (2/20/07) on Rebel Records.


40th Anniversary issue of Bluegrass Unlimited

The July 2006 edition of Bluegrass Unlimited is their official 40th Anniversary issue. In addition to the regular articles, features and reviews which we have come to expect from BU, they include as a bonus, a copy of the debut issue as an 8-page, removable insert.

When the magazine launched in 1966, it was available for dues of $3 per year. This first issue was a typed, mimeographed pamphlet with a hand drawn logo – quite a contrast from the slick, full color magazine we now see each month.

There are some real gems in the insert, like this short review of the then new single release from The Osborne Brothers, Hard Times/World Of Unwanted:

“About nine parts Nashville hokum to one part grass.”

The main portion of the magazine includes some more choice bits from past issues, including a piece John Duffey wrote in 1967, responding to the critics of the early Country Gentlemen who took them to task for deviating from the “true bluegrass’ way.

They also feature a version of how their National Bluegrass Survey might have looked for July 1966, with The Country Gentlemen’s Bringing Mary Home topping the list.

Subscribers should see their copies in the next few days, and news stands will surely sell out quickly, so pick one up if you want to have this as a keepsake.