“I will know my Saviour when I come to Him by the mark where the nails have been.”
Jamie Dailey and Darrin Vincent joined forces only very recently and memories of an earlier Gospel recording meant that the expectations of their peers was very high. The duo has launched their career on the back of a standing ovation at an IBMA showcase last October and bookings far in excess of 100 show dates. Along with a debut CD on a big bluegrass label (Dailey & Vincent), it seems that life could hardly get any better for them.
Any CD that features Dailey’s angelic voice cannot fail to succeed, but this eponymous release also possesses all the drive that Dailey and his partner Vincent have picked up from their days in the Doyle Lawson and Ricky Skaggs schools of bluegrass and elsewhere. Dailey spent nine years singing lead with Doyle Lawson, while Vincent played guitar and sang harmony with Ricky Skaggs & Kentucky Thunder for the last decade, so the time was right to lead a band of their own.
With Dailey (guitar and lead and harmony vocals) and Vincent (upright bass, guitar, mandolin and lead and harmony vocals) on this 12 track CD are band mates Jeff Parker (mandolin and harmony vocals) with Joe Dean (banjo and bass vocal), and guests Andy Leftwich (fiddle and mandolin), Bryan Sutton (guitar), Stuart Duncan (fiddle) and Cody Kilby (guitar).
The CD begins at a hot lick with Sweet Carrie, a driving old school traditional song written by A L Wood and given a modern treatment. Don’t You Call My Name is of a similar ilk - a great up-tempo number. Dailey sings lead on the former, while Vincent does so on the latter.
The tempo is slower for More Than A Name On A Wall, a tribute to a fallen soldier with familial remembrances of his past. The harmonies are heavenly, as they are throughout.
Other slower tempo songs are the superb River Of Time, penned by Robert Gateley - note how the trio hold the note at the end. This is just typical of the many times that one could commend the vocalists for this feature. Take Me Back (and Leave Me There) is notable for Dailey’s high, soulful vocals and the delightfully-blended triple mandolin harmony work from Parker. (more…)