We’ll be playing catch-up this next few days with photos, stories and video from this whirlwind week at IBMA.

There is more to tell about events on Wednesday night and Thursday afternoon, plus we have a video interview with Sam Bush, a video report from the big Rural Rhythm showcase on Wednesday, and our Red Carpet interviews from last night.

For starters, here’s a photo gallery from the Exhibit Hall on Thursday afternoon. With Fan Fest beginning this morning (10/2), the hall is likely to be more active today, but through the week, there was an obvious shortage of both exhibitors and visitors. We spoke to a number of vendors, and will share some of their comments and concerns in our follow-up coverage next week.

Long-time students of bluegrass instruments will recall with fondness the name Oak Publications, a division of Music Sales that released some fine instructional manuals for banjo, guitar, mandolin, fiddle and bass starting in the 1970s. While the brand has remained active since, some of those early titles have been unavailable for years – though AcuTab reissued their classic (and massive) – Masters of the 5 String Banjo book.

Oak has reprinted a number those early books, and two of particular interest to the bluegrass community are among them. Both Bill Keith and the late Vassar Clements had transcription books as a part of Oak’s Bluegrass Masters series – which also featured books on Kenny Baker, Jesse McReynolds and Clarence White – both reissued earlier this year.

Clements’ fiddle book was written by Matt Glaser, current chair of the string department at Berklee College of Music, and the Keith banjo book was written by Tony Trischka with Bill’s assistance. The Vassar transcriptions are in standard notation and the Keith in tablature. Both feature information on the recordings from which the transcriptions were taken.

Look for Oak titles wherever bluegrass instructional materials are sold.

HT: PlayBetterBluegrass.com

Banjo pioneer Bill Keith is interviewed in a lengthy piece published online by the Hudson Valley Bluegrass Association.

Bill talks about his current musical activities and his involvement with a number of noteworthy ensembles in his younger days. He was introduced to most bluegrass fans when he joined Bill Monroe’s Blue Grass Boys in 1963, where he brought his then-embryonic melodic (or scalar, fiddle-tune style) banjo techniques to much wider attention.

Keith also performed with folk artists Geoff and Maria Muldaur, and found himself a part of what came to be considered a landmark ensemble called Muleskinner. This band featured such notable artists as Clarence White on guitar, David Grisman on mandolin, Richard Green on fiddle and Peter Rowan on guitar and vocals.

“Then, the plan was that we were to back up Bill Monroe in an appearance on the television show. So we got together and rehearsed and got a few numbers to do on our own‚Ķand so rehearsed the numbers we were pretty sure Bill would play ‚Äì Foot Prints in the Snow, and Kentucky Waltz, and whatever. We had our rehearsal, and the next day we scheduled another rehearsal that Bill was supposed to come to. But we got a telephone call that he couldn’t make that rehearsal, so we added a few more tunes to what we could play on our own. The next day was a dress rehearsal in the morning and then taping in the afternoon. But Bill wasn’t there for the dress rehearsal and so we added a couple more things and of course the point in time came and he still wasn’t there, so we did the TV show on our own.”

The video of that show has been a collector’s item for fans of early 1970’s vintage modern bluegrass, and they went on to record a successful album as Muleskinner, which led to a release of the audio from the initial TV appearance.

Hear Muleskinner on Rhapsody or in iTunes.

Read the full interview online.

March 1, 2007 is the last date to take advantage of the early registration discount for the 2007 Smoky Mountain Banjo Academy. The event, held each spring near Gatlinburg, TN (hosted by Jack Hatfield), is scheduled this year from April 20-22. A $50 discount is offered for early registration.

Over the course of 3 days, more than 16 banjo instructors will conduct dozens of small classes and demonstrations, arranged by skill level, and offered for both old time and bluegrass banjo styles. There is also a faculty concert, a student banjo competition and plenty of organized and free-form jamming.

The faculty for SMBA ‘07 is rich with well known players and teachers: Eddie Adcock, Jason Bales, Dave Ball, Gary Davis, Janet Davis, Jack Hatfield, Bill Keith, Andy King, John Lawless, Randal Morton, James McKinney, Tom Nechville, Ken Perlman, Butch Robins, Rick Sampson and Snuffy Smith.

The name is apt, as everything takes place at the Wa-Floy Retreat, in the heart of The Smokies.

Find all the pertinent faculty, schedule and registration details on the SMBA web site.