Our friend David Conner shared this YouTube link with us. It features a number of videos shot during an appearance by The Dan Tyminski Band at The Birchmere on March 1 of this year.

Ten songs from the show are posted, including the title track from Dan’s upcoming Rounder CD, Wheels, several cuts from his previous solo release (Tiny Broken Heart, Stuck In The Middle Of Nowhere) and a few bluegrass classics (Rocky Road Blues, Man Of Constant Sorrow, Muleskinner Blues, Mary Ann).

The band includes Tyminski on guitar and vocals, Ron Stewart on banjo, Adam Steffey on mandolin, Barry bales on bass and Justin Moses on fiddle.

The video was shot with a hand held camera, so it’s a bit shaky at times, but the audio is terrific and they give a fine taste of how strong this band is in concert. This show in March took place one day after I saw the band perform in Roanoke (review here).

You can find all the videos on YouTube, and we’ve included the Wheels video for your enjoyment here.

Brance and I had the opportunity to see The Dan Tyminski Band in concert on Friday (2/29) at The Jefferson Center here in Roanoke, VA. We had been looking forward to seeing them perform since the formation of the band was announced during the 2007 IBMA World Of Bluegrass convention, and The Jefferson’s Shaftman Hall was a near-perfect setting.

The band is composed of Barry Bales on bass, Justin Moses on fiddle/dobro, Adam Steffey on mandolin, and Ron Stewart on banjo with Tyminski on guitar and lead vocals. I had spoken with Dan earlier that day, and had several prior conversations with Ron and Adam about the new band. That, together with my keen awareness of each member’s musicianship, left me with some fairly high expectations going into the show.

They emerged from stage right with no introduction, and launched into a blistering, nearly-two hour set of traditional bluegrass music with the characteristic front-of-the-beat drive that distinguishes the finest practitioners of the art. It was a powerful ensemble sound, with vocals to match.

The material was chosen from Dan’s 2000 release, Carry Me Across The Mountains, the band’s upcoming Wheels CD, plus numbers Dan (and Adam) had recorded with Alison Krauss & Union Station. Throw in some bluegrass classics and you had a full concert of expertly performed, passionately delivered music.

Tyminski’s voice has been a familiar one in bluegrass since his emergence with Lonesome River Band in the late 1980s, and he gave an impressive performance Friday night. He offered versions of One Tear and Free Born Man on top of cuts from his CD like Carry Me Across The Mountain, Stuck In The Middle Of Nowhere, Think About You Every Day and Tiny Broken Heart.

Of course they also performed Man Of Constant Sorrow, the most recent bluegrass song to hit pop and country radio with a vengeance, for which Dan provided the voice over in the O Brother, Where Art Thou movie. If you have caught Dan doing this one with AKUS, you’ll have heard his amusing tale about breaking the news about scoring the movie gig to his wife, but it is a funny one even on subsequent rehearings. (more…)

Here are a bunch of photos I took at the Dan Tyminski Band concert on Friday night. The band was great, on stage and off. They did a fine show, and took plenty of time to visit with fans afterwards.

Another piece of news we picked up here at IBMA is the imminent launch of Dan Tyminski’s band.

All of the Union Station guys have been looking at a blank schedule for 2008, with Alison Krauss planning to take the year off from band work, and it seems to have been the opportune moment for Dan to move forward with his own band. They played a showcase here earlier in the week and created quite a stir.

The band will be Ron Stewart on banjo, Justin Moses on fiddle, Barry Bales on bass, Adam Steffey on mandolin and Dan on guitar. They are headed into the studio almost immediately after IBMA, with a release on Rounder Records expected very early in 2008.

Adam will continue doing shows with Mountain Heart at least through the end of this year.

UPDATE 10:15 a.m.: Thanks to Barry Bales for catching my earlier error - Ron Stewart is on banjo and Justin Moses on fiddle. That’s my lesson not to post anything after 1:00 a.m. at IBMA with precious little sleep!

John posted Saturday with his review of the Tony Rice/AKUS concert we attended Friday evening. Here are my thoughts on the concert after a weekend of reflection on the show.

As John said in his post, we missed the first couple of tunes, but I did hear part of Early Morning Rain from the lobby. That is one of my favorite Lightfoot tunes that Tony ever recorded, I’m sorry I missed it. But there were plenty more where that one came from. I especially enjoyed Alison’s rendition of Song For A Winter’s Night.

The band sounded great on this material and Tony blended right into the band, not taking center stage until they gave it to him. Even the traditional bluegrass numbers they did from the Album Band repertoire where performed true to the way Rice recorded them, with no guitar solo. Let me tell you, there was no need. Tony’s rhythm was spectacular! I’ve always been a fan of his rhythm playing and he was in fine form Friday evening. Driving, tasteful, spicy, and grin inspiring, not to mention spot on timing, Tony’s rhythm was one of the highlights of the concert for me.

One thing that struck me was the obvious mutual respect on the stage. AKUS was very respectful of Tony, honoring him as a hero. But you tell he reciprocated that respect. Rice heaped praise on both Alison and Tyminski as being two of his favorite singers. Introducing one song, Tony made a comment to that effect and Jerry Douglas said “Thanks Tony” to much laughter from the audience. But seeing Douglas and Rice play together reminded you that these two have recorded and played together a lot down through the years. They have that synergy you sometimes see where it appears they are feeding off each other’s creativity and doing more together than they would either do alone.

The show included the funny stage banter we’ve come to expect from Alison. While introducing the band members, she referred to banjoist Ron Block as the bands “sexy librarian.” She also told a very funny story about a country fan who had a crush on Barry Bales at a show…and thought he was playing the cello!

During the final performance (they did come back for an encore) of Freeborn Man, they projected a slideshow of photos on the screen behind the band. The photos were mostly of Tony, though there were a few of Alison as well, with different bands and musicians he’s recorded and performed with over the years. It was a nice touch to add to what could be considered Tony’s signature song.

Overall, the show was entertaining and the music was excellent. I can’t wait for the recording of this tour to be released. It’s bound to be a classic instantly. I got the feeling toward the end of the show that this was one of those moments my children and grandchildren are likely to ask me about.

Here’s an update to our post late last week about A Hundred Miles or More: A Collection, the collection due from Rounder in April that primarily highlights Alison Krauss’ contributions to films and recordings by other artists.

We mentioned in that previous post that four new, previously unreleased tracks would also be included, but did not have many details about them to share at the time. We received some information over the weekend that sheds a bit more light on that question.

The four new tracks are You’re Just A Country Boy, Simple Love, Jacob’s Dream and Away Down The River. Rounder informed us that all four showcase Alison as the featured vocalist, and are tracks which she produced, and Barry Bales mentioned that while members of Union Station do appear at various points on these tracks, none are performed strictly with the band.

In other words, this compilation, and the new tracks specifically, can be seen as an Alison Krauss solo effort. Rounder has typically issued one like this (under Alison’s name) for every couple that are listed as AKUS CDs.

We’ll be sure to post again when audio samples show up online.

Last January, both Brance and I had the chance to attend the Pickin’ at the Paramount all star concert in Bristol, TN. The show was an offshoot of one that I helped organize in 2000 (reprised in 2001) to celebrate the release of Knee Deep In Bluegrass - The AcuTab Sessions. You can read my report on last year’s show here.

The show has been scheduled again this year, and will be held next weekend (1/20/07) at The Paramount Center on historic State Street in Bristol.

The format of the current show is similar to the one we started in 2000, and reminiscent of the old “package tour” shows popular in the 1950s and 60s. An all star cast of prominent bluegrass pickers and singers will rotate on and off the stage in a variety of configurations, generally performing material outside of what you might normally hear them doing.

This year’s lineup includes Bobby Hicks, Ronnie Bowman, Mike Bub, David Talbot, Larry Cordle, Rob McCoury, Don Rigsby, Kim Fox, Darrell Webb, Steve Gulley, Jason Carter, Barry Bales, Paul Williams, Kenny & Amanda Smith and David Grier.

There will be two shows on January 20, at 3:00 and 7:30 p.m. Tickets and show details can be found at the Pickin’ at the Paramount site, or the Paramount Center site.

Over the weekend I came across a post on Ron Block’s website stating that overdubs are almost complete on what appears to be a new solo project from Ron.

Overdubs continue in my basement studio. I’m looking to finish all my parts (acoustic and electric guitars, vocals, editing) by the time AKUS goes on the road for the first half of November. In late November I’ll finish up with fiddle and viola (Alison), lap steel/dobro (Jerry Douglas), some mandolin overdubs by Adam Steffey that we weren’t able to get to in August, and harmony vocals by various folks. I’ll also be doing preliminary mixing (mostly just volume rides). I’m looking to have Gary Paczosa mix by the end of December and have the record released by mid to late April.

Some of the people involved in making the recording:

• Barry Bales (bass), Dan Tyminski (guitar, vocals)
• Eric Uglum (production assistance)
• Jerry Douglas (dobro, lap steel)
• Viktor Krauss (bass)
• Gary Paczosa (engineer)
• Adam Steffey (mandolin, mandola)

With a line up like that it should be a recording worth listening to. We’ll keep you informed as we find out more.

Tresa Jordan is the name of a new CD project from this bluegrass and country singer/songwriter, just released on South River Road Records. A debut single, I Turn To Country, has been promoted in recent weeks to country radio, and a second, Ain’t No Grave, is currently being promoted to bluegrass show hosts.

The material is often modern country in form and arrangement, but the accompaniment is acoustic with a bluegrass band, and some percussion. Tresa has a background in bluegrass, and had been performing with Ernie Thacker’s band until his serious accident in April. She has now formed her own group to support the CD, and is appearing at festivals this summer when she isn’t visiting radio stations.

Bluegrass artists who appear with Tresa on this CD include Wanda Vick on fiddle, Barry Bales on bass, and The Infamous Stringdusters who support Tresa on her cover of Kenny Loggins’ Danny’s Song.

Audio samples and more details can be found on her web site.