We posted last month about the benefit concert for Eddie & Martha Adcock, held to help them overcome the financial difficulties they face as a result of Eddie’s medical issues this past year. Scott Street, an attorney in Richmond, VA – and a fine banjo picker as well – sent along this report of the concert along with a number of photos.

The October 25th benefit show for Eddie and Martha Adcock at Nashville’s Station Inn was a great success. The packed audience at the Station Inn was treated to the sounds of some of the finest in Bluegrass, who donated their services (and also their own funds) to help Eddie and Martha through some difficult times following Eddie’s successful brain surgery last August.

The Nashville Bluegrass Band was followed by Missy Raines and the New Hip. Then Jerry Douglas told how his father’s first experience hearing the Country Gentlemen with Eddie Adcock prompted his father to buy every Country Gentlemen record he could find, which Jerry listened to constantly for the next year. Jerry was joined by Russ Barenberg on guitar for some hauntingly beautiful tunes.

Next the Whites with dad Buck and daughters Cheryl and Sharon demonstrated family harmony at its best. Jerry Douglas joined with surprise guest Ricky Skaggs to round out the Whites’ portion of the show. Jesse McReynolds and his family showed that the Virginia Boys sound is alive and well. Jesse concluded his set with El Cumbanchero, again confirming that his picking is as fast (or faster) and clean as ever — an amazing performance.

Harley Allen sang several of his own songs, showing all why he is one of the world’s best songwriters. He was ably assisted by the Infamous Stringdusters’ Andy Hall on Dobro, David Harvey on mandolin, and Barry Crabtree on banjo. Speaking of songwriters, Dixie and Tom T. Hall were in the audience. Others attending to support Eddie and Martha included Sonny Osborne, Terry Eldridge, Roland White, David Sebring, and many other notable Nashville area musicians.

Sam Jackson handled the emcee duties and “Supe” Granda from St. Louis delivered several of his original songs. The climax was when Eddie Adcock himself took the stage with former II Generation bandmate Gene Johnson (now of Diamond Rio), Missy Raines, and Don Wayne Reno. After a few moments of Eddie’s picking, there was no doubt that his surgery had been a success, and his trademark baritone voice proved as smooth as ever.

It was a magical evening where the excellence of the music mixed with the atmosphere of love and respect, and once again our Bluegrass community stepped up to assist one of our own.

If you would like to add your contribution to assist Eddie and Martha, you may send a contribution to:

Martha Adcock
P.O. Box 219
Lebanon, TN 37088

Earlier this month, there was a real bluegrass wedding in Nashville.

Andy Hall, resonator guitarist with The Infamous Stringdusters, married Janice Young, agent with Keith Case and Associates. Their wedding was held on May 9 at Riverwood Mansion in Nashville, TN with plenty of bluegrass royalty in attendance.

Janice sent along a couple of photos, and provided this recap.

“Bradley Walker sang a beautiful rendition of Walk Through This World With Me, accompanied by Andy Falco on guitar, Katie Studley on violin, and Hannah Schroeder on cello. Tyler Grant played several classical guitar pieces while the families were being seated, and Dave Peterson and His Old Tyme Country Review played at the reception.

We went to Deep Creek Lake in Maryland for our honeymoon, and stayed at the lovely lake house of Ben and Barbara Eldridge.”

Sounds like a lovely ceremony and a great start for their married life. Congratulations to the happy couple!

Rob Ickes has announced that registration for ResoSummit 2009 has begun – and sold out right away.

The annual weekend of instruction and immersion in resophonic guitar is scheduled for November 5-8, held at the Scarritt-Bennett Center in Nashville, with some events at The Station Inn.

Though they have already accepted advance registrations to fill the number of students they can accept, a waiting list has been set up for those who might still hope to attend. ResoSummit has been able to offer registration to people on the wait list each year, so get on there now if you’d like to make it in ‘09.

The faculty includes Rob Ickes, Michael Witcher, Andy Hall, Sally Van Meter, Dave Giegerich and Jimmy Heffernan. It is hoped that both Mike Auldridge and Cindy Cashdollar will also be teaching in November.

Sign up for the waiting list on the ResoSummit 2009 web site.

Jordan Tice is a young guitarist who is releasing a third CD under his name at only 21 years of age.

Long Story, recently released on Patuxent Music, features 10 original instrumental compositions performed by a group of stellar progressive string musicians. Jordan recorded his first solo project, No Place Better, in 2005 and was part of a trio album (Corbett/Chrisman/Tice) in 2007 with banjoist Wes Corbett and hammered dulcimer player Simon Chrisman.

This new solo release shows not only an obvious grasp of acoustic guitar technique, but a fresh compositional voice as well. It is not presented as a “guitar album” – with track-after-track of fiddle-tuney flatpicking – nor does it incorporate the odd vocal number with an eye towards radio play. In fact, the CD is more of a statement about Jordan’s original music than it is his guitar playing, and it is the tunes that shine, both for their clever melodies, and as improvisational vehicles for Tice and his fellow pickers.

The opening melodies are as likely to be presented by the dobro, fiddle or banjo as the guitar, which Tice had in mind when he created the tunes for this album.

“I did write many of the melodies with other instruments in mind. One thing that ties most of the music I love together is that the elements that make up the music are veiled behind the flow of the music. My goal was to make a record with a bluegrass band that accomplishes this rather than to highlight the guitar and ignore the abundance of textures and sounds the bluegrass band is capable of producing.”

Jordan’s tunes range from a fiery fiddle tune form (Sofia) to jazzy, new acoustic ballads (Chincoteague), and even an orchestrated, scored piece (The Colony).

Sofia really jumped out at me on first hearing, and it hasn’t diminished a bit upon multiple listenings.

Listen now:   

“Sofia was written a few years ago pretty quickly. Id say it’s the most straight forward on the record in that its just a tune that we play and improvise on with minimal arrangement. I named it after Sofia, Bulgaria after a visit there last summer. I just liked the simple and pretty sound of ’sofia’ and figured it fit.” (more…)