Soulgrass preview in Wall Street Journal
We posted last month about a week of club dates in New York for Bill Evans’ Soulgrass. This is Bill Evans the jazz sax man who has been recording and performing an interesting jazz/bluegrass fusion, not our friend Bill Evans the bluegrass banjo player and instructor.
The shows will be at the fabled Blue Note starting tonight (1/23-28), and will feature Tony Trischka and Sam Bush along with the other members of Soulgrass.
Craig Havighurst, who blogs at String Theory Media, wrote a piece for today’s Wall Street Journal as a preview for the Evans shows this week. In addition to his overview of the Soulgrass sound, and comments from Evans and Trischka, Craig discusses some of the reasons why bluegrass and jazz aren’t such distant cousins as they may seem at first glance.
In fact, bluegrass and jazz, particularly bebop, are musical contemporaries and cousins—progressive departures from the dominant sounds of their day, forged during World War II. Both drew a line between the traditional and the modern in their respective forms. Even musically there were similarities, beginning with common roots in the blues. Both were inclined toward blazing tempos, rhythmic intricacies and intense, even competitive improvisation, suggesting that these schools, despite coming from cultures as distant and disparate as 1940s New York and 1940s Nashville, might one day meet and mingle to good effect.
The Journal site can not be accessed without a subscription, but the entire piece can be found on Craig’s site.


The legendary New York jazz club, Blue Note, will host six days of jazz/bluegrass fusion next month. Bill Evans' Soulgrass is booked January 23-28, with Sam Bush on mandolin and Tony Trischka on banjo. They join noted jazz saxophonist Evans with Dave Wecki on drums, Richard Bona on bass and Christian...
The Banjo Lounge will be hosting an online workshop with progressive banjo player Ryan Cavanaugh on December 17 at 3:00 p.m. (EST) The workshop will be conducted using their online chat system, and there is no charge to join the proceedings.
The expected topics are described thusly on their site.
Ryan...
Carol Beaugard has two interesting guests lined up for this morning's (3/28) edition of Lonesome Rine RFD on WFDU-FM. Bluegrass Now publisher Wayne Bledsoe and jazz/bluegrass sax man Bill Evans are both scheduled for a visit.
Brance posted last week with the news that Bluegrass Now would cease print...
Banjo player Bill Evans has worn a lot of hats over the years - as a teacher, writer, ethnomusicologist, IBMA board member, IBMM associate director, workshop leader and as a banjo player with Dry Branch Fire Squad. Next week, Bill launches his own all star band, Bill Evans String Summit, with three northern...
The Banjo Lounge is hosting another of their periodic online banjo workshops on February 11. This one will be conducted by Bill Evans, and will focus on playing bluegrass banjo accompaniment, or backup.
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It's a great pleasure to introduce Bill Evans as a Guest Contributor. Bill is one of my oldest friends in the bluegrass world, and I take a measure of personal pride in seeing the success he has achieved as both a performer, and an educator.
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Bill Evans is surely one of bluegrass music's most widely regarded banjo instructors, having taught hundreds of students, both privately and at camps and workshops all over the world. He has been featured in two popular instructional DVDs from AcuTab, and is the author of the upcoming Banjo For Dummies...
Anytime I teach at banjo workshops - or spend time with serious beginner-to-intermediate pickers - I hear questions about the best way to learn something about music theory - the structure and "rules" that govern how we define musical tones as being in harmony with one another.
A new book from Wiley...




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