At IBMA this year I had the pleasure of spending some time visiting with Phil Elliott of Elliott Capos. As bluegrass conversations go, we talked about music, family, and church. One particular aspect of a conversation with Phil is that you’re bound to talk shop about capos. Phil spends his days in a machine shop behind his house, individually handcrafting the finest capos available.

I walked away from the conversation in possession of a brand new Elliott Elite Capo for my guitar.

I owned one of the original Elliott push buttons for years, until it disappeared at a gig several months ago. I’d been laboring along with a standard, spring-loaded, clamp style capo until now. What a joy it is to once again have an Elliott capo on my Collings!

And this new Elliott Elite is even better than the original. The Elite design is so slender it doesn’t get in the way at all. This capo really is smaller than the previous model I had, which was smaller than the standard variety spring-clamp capo. This sleek design really serves to keep the capo out of the way of your left hand as you play.

The Elite also features a longer saddle (leather padded), which makes it easier to keep the capo centered on the instrument neck. And of course, the patented Elliot push button design.

Speaking of design, these capos are finely crafted and even though it’s a small piece of hardware, you can sure feel the quality of the craftsmanship when you hold it in your hand. The screw mechanism is smooth, nothing seems loose, but neither is it overly tight. The push button is perfect, easy to use, yet secure enough that you have no fear of it coming unlatched during use.

The real advantage of this sort of capo lies in the thumb screw. As opposed to a spring-clamp sort of capo, the thumb screw allows the player to adjust the capo to have exactly the correct amount of tension on the strings. Not over clamping, allows for a very transparent sound which doesn’t adversely affect tuning the way a spring operated capo does.

If you are looking for the best capo, look no further. The price tag is serious at $160, but if you’re serious about your music, you can’t afford to use anything less.

The guitar version comes in the following standard neck widths: 1 11/16″, 1 3/4″, 1 13/16″, and 1 7/8″. If you need something special for a different neck width, give Phil a call and he’ll take care of you.

For the banjo, you have the options of a B capo or a C capo.

I took a few photos of the capo to share with you. I hope these give you a sense of the capo’s size and craftsmanship.

Clay Hess has been making waves as a guitarist since he first hit the scene in a big way with Ricky Skaggs & Kentucky Thunder in the 1990s. He has since had a memorable stint with Mountain Heart, and is currently touring with Sierra Hull.

Rick Hayes Instruments, makers of dreadnaught guitars and F-5 mandolins, is proud to announce today that Clay will be endorsing their mahogany guitar. It is a solid wood guitar, made with Honduran mahogany back, sides and neck, and high grade spruce for the top. The fingerboard and bridge are of West African ebony, and the guitar sells for $2999.

As you might expect, Clay speaks very highly of the guitar.

“The Rick Hayes guitar I have been playing for the past year is one of the top five guitars I’ve ever played. I recorded most of my new recording with a 1938 D18, which is my favorite guitar. I recorded the rest with the Hayes guitar. I’ll let y’all try to tell which is which because I can’t.”

More details can be found on Rick’s web site.

Bluegrass folks in Kentucky and Ohio are getting together this weekend to raise money for Jim Chatfield, bass player with Shadez Of Blue and an on-air host on WorldWideBluegrass.com. Jim recently underwent quadruple bypass surgery following a heart attack, and the bluegrass community is banding together to provide some financial assistance.

Two shows are scheduled: Saturday (11/21) from 2:00-8:00 p.m. at Bob Mackey’s Music World in Wilder, KY and Sunday (11/22) from 2:00-9:00 p.m. at the Freedom Worship Center in Franklin, OH. The shows are both billed as The Weekend For Jim, with suggested donations of $10 to help defray his medical expenses.

Several bands will play each day, and door prizes will be awarded at both shows. Banjo man Johnny Butten will also be on hand to attempt a new Guinness record for the longest continuous playing of the banjo.

If you are unable to attend the shows and would like to make a donation, they can be sent to:

Country crooner Dierks Bentley tells Vernell Hackett of The Boot that he plans to record a bluegrass album during 2010.

Bentley has a long history of including bluegrass music on his chart-topping releases, and has collaborated several times with The Grascals and other Nashville grassers. He was a fixture on the bluegrass scene in Music City prior to his country career taking off, and even studied bluegrass mandolin with Butch Baldassari.

From The Boot…

“Nashville is my hometown; I’ve been here 15 years, so I know a bunch of the grassers, a lot of the country guys, a lot of songwriters and musicians,” Dierks explains. “Every album I’ve done has a bluegrass song on it, so it’s not a surprise that one day I might make a bluegrass record. It would be a cool thing for me.”

We hope to learn more about this soon.