Jewgrass at Smithsonian.com

torahWe have posted a few times previously about bluegrass bands composed of Jewish musicians, or Jewish bluegrass artists who seek to explore their faith through music. What they produce can be a fascinating counterpoint to the rich tradition of Gospel music within our music, as well as a new avenue for converts to bluegrass.

It seems that most Jewish grassers perform, write or facilitate within our community primarily as bluegrass folks – except for the discussions that pop up when IBMA week conflicts with the High Holy Days, as they often do. Those that do make their music specifically Jewish in character have been prone to half-jokingly refer to what they do as jewgrass – a term I first heard 30 years ago within a group of Jewish bluegrass musicians from New York.

While we were absorbed with preparations for IBMA in late September, Smithsonian.com ran a very interesting article by Jen Miller on just this subject. She interviewed a number of people who celebrate this melding of identities.

Bluegrass lyrics celebrate country living, but many of the people singing them are city folk. Jerry Wicentowski grew up in Brooklyn in the 1960s and fell in love with bluegrass during the folk revival. For religious Jews like Wicentowski, there was a rebellious element to being a fan of the music. Bluegrass became his escape. During the week, he studied at an insular yeshiva; on the weekends he played guitar in Washington Square Park.

After earning a Master’s degree in Hebrew and Semitic Studies and then drifting away from Judaism, a series of life events led Wicentowski to return to religion. Eventually, he found himself a man with two strong identities: a Jew and a bluegrass musician. He began to fuse the two. Wicentowski worked on an album with mandolin virtuoso Andy Statman called “Shabbos in Nashville,” which featured Jewish songs in the style of 1950s bluegrass. Later, he founded his own band, Lucky Break. The Minnesota-based quartet bills itself as “uniquely American, uniquely Jewish,” by mixing “the stark beauty of Appalachian music with Shabbat Z’mirot,” or Sabbath songs.

If this topic interests you, the entire article can be read online.

0 Comments
Leave a comment
Comments are open and unmoderated for our registered users, only your first comment will require approval before publication. Comments do not necessarily reflect the views of The Bluegrass Blog. Obscene, abusive, silly, or annoying remarks may be deleted, but the fact that particular comments remain on the site in no way constitutes an endorsement of their content by The Bluegrass Blog.

TrackBack URI

You must

  • Register
  • and Log in in to leave comments.

    Jewgrass music for the holidays

    There is an entire sub-genre of bluegrass, referred to as Jewgrass, performed by Jewish musicians around...

    Old Testament bluegrass from Mare Winningham

    Here's something I had been expecting to see for some time - hoping, even. Bluegrass has long been intertwined...

    The Sinai Mountain Boys at the Kennedy Center

    As we are now within the officially-recognized holiday season, one expects to find notices about Christmas...

    Smithsonian Magazine covers bluegrass jam

    Smithsonian.com is the online companion for Smithsonian Magazine, the monthly journal published by The...

    Rabbi John

    Not long ago I discovered a band that caught my attention. Rabbi John is a New Timey (their term) band...

    Sarah Jarosz in The Boston Globe

    Sunday's edition of The Boston Globe carried a feature on now hometown girl, Sarah Jarosz, who moved...

    Classic ’60s NYC concerts to be released on CD

    Many students of the folk and old time music boom of the 1960s will note that the growth of interest...

    Open letter from Rhonda Vincent about IBMA Awards

    Rhonda Vincent has written an open letter to the bluegrass community where she shares some thoughts about...

    Jambands To Teach Copyright Law

    The heated discussions concerning live music sharing happening here and elsewhere in the online arena...

    Mare Winningham sings at AR bluegrass fest

    Here's a follow-up to a post from this past June, about movie and television actress Mare Winningham...

    50 Years of The New Lost City Ramblers

    Continuing with our Mike Seeger theme today, here is news of a multi-disc retrospective on the recording...

    Traditional vs Progressive with Russ Barenberg

    It seems the debate over what constitues 'traditional bluegrass' and what should be labeled 'progressive...