Casey Henry has agreed to send us occasional updates from The American Revival Tour, where she is performing with Dixie Bee-Liners. Also on the tour are Sierra Hull & Highway 111 and headliners Uncle Earl.

Here is Casey’s report.

Do you remember the song that Madeline Kahn sings in Blazing Saddles: I’m Tired? It has the bit about “coming and going and going and coming and,” well, I’ll stop right there. But if I had to pick a theme song for the last few days of this tour, that would be it. It seems like FOREVER since I wrote my last post about the tour, but it was only a week and a half ago!

Since then we’ve been to Baton Rouge, Houston, Fayetteville, AR, Springfield, MO, Bowling Green, KY, and Knoxville, TN. We’ve had two computer crashes (Sierra Hull’s and KC Groves), one lost wallet (Sierra’s), one minor van repair (when Cory Walker’s computer blew one of their van’s fuses), and one case of laryngitis (Kristin Andressean), but no major disasters.

There have been some great moments as well, like when Uncle Earl pulled together and rearranged all their songs when Kristin couldn’t sing (the show must go on…). Uncle Earl also wrote and recorded a theme song for the daily tour blog (which is over on the Murphy Method Blog). They even sang it on stage one night!

At a coffeeshop called Coffee and Chocolate in downtown Knoxville we discovered that they had Kopi Luwak, a kind of coffee beans harvested from the forest floor in Sumatra after having been eaten and excreted by cat-like creatures called Luwaks. They roast the beans just like regular coffee, but they are highly prized for their unique flavor. We’ve been talking about this kind of coffee for years and we could not pass up the opportunity to try it. A two ounce package cost us $60 and we split it eight ways. The coffee (which they brewed in a french press) was very good. It had a very earthy flavor. But… It was so not worth paying $480 a pound.

Oftentimes on tour the best moments occur serendipitously. In Bowling Green Jeremy Darrow and I were walking around near the theater and we ran across a micro-distillery called Corsair. Their door was open, so we went in, met one of the owners, and he gave us an impromptu tasting and a little history of their business. A great find.

In Knoxville I ran across Morelock Music, which which was right around the corner from The Square Room, where we played. Matt Morelock has put together a charming store that combines instruments, LPs, consignment vintage clothing, and music lessons. This huge banjo, which reached from floor to ceiling, made me feel right at home.

In Arkansas we drove right by Janet Davis Music. Unfortunately it was on a Sunday, and they were closed, but one of the guys who worked there had come to the show the night before and offered to let us in if we wanted to stop by anyway. We didn’t have time, but I’ve always wanted to see her store.

Adam Steffey and his wife Tina came to the show in Knoxville. I’m glad I didn’t know that until after our set or else I would have been more nervous.

We have three more shows to go on our tour. When it’s over it will be one of those sad/glad moments: sad for such a great time to come to an end, but very glad to be going home!

Here’s another interesting package show for 2010.

Dale Ann Bradley will be collaborating next year with her old friend and former employee, Michael Cleveland, when she goes on the road with his band, Flamekeeper, for select shows next year. These dates will bill as Michael Cleveland & Flamekeeper with special guest Dale Ann Bradley, with Jim Roe of Roe Entertainment handling the booking and arrangements.

These dates will feature Michael and Flamekeeper doing a one hour set, after which Dale Ann will join them for 30-45 minutes of her material with Michael and his band providing accompaniment.

Cleveland explained how this pairing came together.

“Tony Williams, promoter of the Kentucky Lake Bluegrass Festival, had booked Dale Ann Bradley and our band on the same show this year and he had an idea to have Dale Ann and Flamekeeper do a jam set at the end of the festival on that Saturday night. Tom Adams, Jesse Brock and myself had worked in Dale Ann’s band years ago, so we were pretty familiar with her older material.

We had so much fun playing that show together and we talked about it for days after. So the idea of teaming up with a package show like this seemed exciting and fun for all of us. I always enjoy getting to play music with her and I know what an incredible singer she is. Dale Ann can take any song, whether it be an original, or a standard and make it her own and I’m really looking forward to doing some shows together.”

Only a limited number of dates will be available for this show, as both acts maintain active schedules on their own. It seems likely that audiences, especially for indoor concert settings, will appreciate being able to see the 3-time IBMA Instrumental Group of the Year (Flamekeeper), 7-time Fiddle Player (Cleveland), reigning Bass player (Marshall Wilborn) and mandolin player (Jesse Brock), and the 3-time Female Vocalist (Bradley) in one, all-star show.

Dale Ann is eager to see these shows come to be.

“When I went out on my own, Michael Cleveland as well as Jesse Brock and Tom Adams were the musical glue that held it all together. Watching Michael play the fiddle with his signature drive and sensitivity…man, he’s something else. I am thrilled to be sharing a stage with him and all of the guys in Flamekeeper.”

Sounds like a fun show.

Junior Sisk is not known as the most talkative artist in bluegrass music, but he did record a podcast interview last week for Roanoke.com, the online home of my hometown newspaper, The Roanoke Times.

Junior had a show nearby and spoke at some length with music reporter Tad Dickens about his latest CD, Blue Side Of The Blue Ridge, and the 2009 IBMA Awards, where Junior had several nominations.

You can hear the entire 20 minute interview at Roanoke.com.

G2 is another example of a band that took full advantage of their opportunities at IBMA this year. The trip from Sweden involves considerable expense and preparation, and these five talented musicians were determined to leave as big a footprint as possible behind after their trip to Nashville.

As the winners of the 2007 European Band Of The Year at the European World of Bluegrass, they garnered the IBMA showcase slot “reserved” for the EWOB winners. They played on the Wednesday brunch showcase during IBMA week, but unlike most invited showcase acts, they were also featured on the International Bluegrass Music Awards show and the weekend Fan Fest.

But this wasn’t a matter of pure kismet; the band had laid the groundwork in advance. Banjoist Jens Koch had attended IBMA on a number of occasions, and the entire band was there in 2008. They generated quite a buzz from their late night showcase slots last year, and worked the networking hard that whole week.

Perhaps most importantly, they retained US representation (Roe Entertainment) following IBMA 2008, and booked two brief tours here prior to IBMA ‘09. Nothing shows an eagerness to perform in the US more than, well… performing in the US!

Jens shared a few impressions of their recent IBMA experience:

“We felt like we did a good performance on the main stage, and the energy in that room was great. I think that it’s great to have people sit down and enjoy the music with some food, that never hurts. We got great reactions after that showcase and to us it meant the world compared to doing all the late night showcases where very few people actually show up and personally I think that it’s hard to perform that well in a little showcase room due to our constant fight with jet-lag (it’s like 8 or 9 in the morning for us when we do late night showcases), less sound reinforcement and the small crowds. So we loved to play the brunch showcase.

Playing the Awards Show was such a treat. It felt very special to walk on that stage and I think one of us said ‘what the heck happened down there?’ as we came back to the dressing room in the Ryman, followed by ‘My record collection was sitting in the front row looking at me.’ Scary and nice at the same time. The vibe at the Ryman was definitely something else!”

Their second CD on Sweden’s Cosmos Records is due out shortly, and a number of US labels have expressed an interest in licensing it for distribution in the States. (more…)