We talked not long ago about the demise of Bluegrass Now, a fine print monthly which closed the doors about this time last year after 18 years in publication.

Now it appears that Sing Out!, the venerable folk music mag, is approaching its 60 year anniversary in a very tenuous state. The economic difficulties of print publishing in today’s market have hit them hard, and without the help of the many friends of the magazine, their fate is uncertain.

Co-founder Pete Seeger has written an open letter to the folk music community about Sing Out’s condition, asking for immediate financial help.

“Over the years, Sing Out! has grown, changed formats several times, and added songbooks like Rise Up Singing to its catalog. It’s created a resource center collecting music, books and photos, reaching back through our community of music and its revival. We even do a weekly radio show that you might be hearing on a local radio station.

Today, in these changing and challenging economic times, Sing Out! is struggling to survive. As we head toward our 60th anniversary next year, we need your support more than ever. I ask you to consider making a contribution to help Sing Out! get through this very difficult year AND to ensure another 60 years of sharing songs that we need to learn and sing.”

He also created a video appeal…

Sing Out! has an online donations page set up to accept whatever assistance loyal readers and supporters of the magazine may be willing to offer.

Sunday’s edition of The Boston Globe carried a feature on now hometown girl, Sarah Jarosz, who moved from her native home in Texas to Beantown to study at The New England Conservatory of Music.

Entitled The freshman, the general tenor of the piece by Joan Anderman is the contrast between Sarah’s path and that of the average 18 year old artist with a recording contract.

Now, just when most rising stars would be leaping headlong into the beckoning arms of agents and promoters, Jarosz is putting her career on the back burner to study at the New England Conservatory. She admits that enrolling in the school of life was a tempting choice; plenty of musicians do it, and many believe that hitting the road is the only legitimate path for a player.

“I talked to a lot of musicians that I respect and got a lot of different opinions,’’ Jarosz says over coffee at a cafe near campus. “And I definitely did ponder the idea of just going straight into the music career. But there’s always more to learn, and I also didn’t want to miss out on the college experience. My roommate is a classical vocal performance major; she does a lot of opera singing, which is something I’ve never really been around before. I’ve been listening to a ton of Billie Holiday and Sarah Vaughan. I’m in a world music and a Jewish music ensemble. I’m getting out of my comfort zone.’’

You can read the whole article online.

We posted several times last year about the demise of Bluegrass Now, which had published continuously for 18 years. Stung by the widespread downturn in print periodicals, publishers Wayne and Deb Bledsoe closed the magazine down after the December 2008 issue.

Bluegrass Now tried going all-digital in March 2008, hoping that eliminating the print and mailing costs would allow them to survive with an online subscription model, but unfortunately for the entire bluegrass community, it was not to be.

The Bledsoes spelled it out in in their farewell message…

Although Bluegrass Now has avoided the magnitude of problems afflicting the major publishers, the economic downturn has impacted us in a variety of ways. After prolonged deliberations, we have decided that rather than compromise the integrity and quality of the magazine, which we have sought to maintain since its inception in 1990, we will cease publication at the end of this year.

One thing left unresolved was the status of the existing online subscribers when the magazine closed up shop. That issue has finally been resolved, and all current subscribers as of 12/08 will be offered an online subscription to Flatpicking Digital, the online home of Flatpicking Guitar magazine.

FGM publisher Dan Miller explains how the switch-off will work.

“Before they went out of business they were only offering a digital version of the magazine, so I’m allowing all of those people who still had issues remaining on their subscription to Bluegrass Now to have a one year digital subscription to Flatpicking Guitar Magazine – both our digital magazine and the audio files.”

Former BN subscribers can contact FGM for more details if they have not yet been contacted about this offer.

Bluegrass Music Profiles is out with their 4th annual Women In Bluegrass issue, with Dale Ann Bradley gracing the cover.

Since 2005, BMP has dedicated their November/December issue to the ladies, with both feature articles and regular columns focusing on the contributions of female bluegrass artists and personalities.

The cover article by Deborah Wilbrink follows the familiar BMP interview format. An example…

BMP: What are your two favorite bluegrass songs?

DALE ANN BRADLEY: John Deere Tractor remains one of my very favorite songs. Larry Sparks had a hit with it, and The Judds recorded it. I love One Way Track, it’s been a mainstay for Boone Creek, one of the songs that progressed bluegrass. Ricky [Skaggs] has recorded it too in recent times, both of those are standards for a generation.

Also found in the new issue:

• Rhonda Vincent – Christmas Memories
• Claire Lynch and Alecia Nugent – Bluegrass Favorites
• Frances Mooney – Shop Talk
• Carrie Hassler – Bluegrass Poster
• Jennifer Strickland – Songwriter Profile
• Bertie Sullivan – Promoter Profile
• Erica Brady – DJ Profile

Subscription and single-issue details can be found online.