This past weekend saw the 3rd annual gathering of resonator guitarists in Nashville known as ResoSummit. The event is co-produced by Rob Ickes and Betty Wheeler for ResoRevolution.

Instruction was provided by a team of resophonicians including Ickes, Curtis Burch, Cindy Cashdollar, Dave Giegerich, Jimmy Heffernan, Orville Johnson, Randy Kohrs, Megan Lovell, Sally Van Meter, Lou Wamp, and Michael Witcher. Noted builders Paul Beard and Tim Scheerhorn were also on hand.

Rob explained what went down…

“ResoSummit 2009 brought together more than 100 resonator guitar enthusiasts in Nashville last week — participants, faculty, and luthiers — for three days full of workshops and four nights of performances and after-hours jams. It was definitely ‘Total Dobro Overload’ by design, with the goal of sending participants home with enough materials, ideas and especially inspiration to make the next year a highly creative and productive time in their musical lives. We had participants this year from all over the United States as well as Germany, Israel, Ireland, and the U.K., and at every level from beginner to very advanced. Every year, this event sells out quickly, because as one past participant said, it truly is ‘like fantasy baseball for reso-players.’

This was our third year, and we’ve tentatively scheduled the fourth ResoSummit for the last weekend in October in 2010.”

ResoSummit photographer Lee Hiers sent along a number of photos to showcase the spirit of the weekend

Just a reminder that applications for Leadership Bluegrass 2010 are due this week. Completed applications must be received by Friday, November 13, and forms can be found on the IBMA web site.

This 3 day program (March 9-11) brings together people from a wide swath of the bluegrass world for a unique, guided, networking and educational experience.

As they describe it officially…

The purpose of the Leadership Bluegrass program is to pull together a cross section of people with exhibited or potential leadership qualities into a network of learning and communication. The results will foster a broad-based understanding of the total needs of the bluegrass community, which will help participants better prepare to determine the goals of the particular organization, company or group in which they choose to serve.

Leadership Bluegrass seeks to explore bluegrass music and its place in the larger world of entertainment through:

• A systematic study of the business of bluegrass, its institutions and organizations, their needs, problems and resources
• Exposure to a wide variety of current music leaders and notable persons
• Encouraging independent thinking, fresh perspectives and approaches. It is not intended to “indoctrinate” or pass on the current leaders’ views and ideas.
• Acquaintance with relevant issues facing bluegrass, their history and future possibilities
• Involvement of all related facets of the music industry which impact bluegrass
• High quality interactive sessions for the participants.

The fee for Leadership Bluegrass is $300 for IBMA members and $370 for non-members. Candidates are selected competitively, so acceptance is not guaranteed.

Find all the pertinent details online.

If you’ve ever wanted to sing bluegrass harmony and didn’t know how to learn, or if you’ve been trying and need some help figuring out the parts, Stephen Mougin has come to your rescue.

Stephen plays guitar and sings with Sam Bush. He knows his way around bluegrass harmony, and he’s come up with a learning tool that is top notch.

His recording studio, Dark Shadow Recording, has produced two CDs designed to help you learn to sing harmony naturally.

Bluegrass Tenor Singing (featuring Russell Moore)
Bluegrass Baritone Singing (featuring Ronnie Bowman)

What Stephen has done is to take five traditional bluegrass songs, and produce a great quality recording of each one. The songs are:

• Little Cabin Home On The Hill
• Mr. Engineer
• Blue Ridge Cabin Home
• My Little Georgia Rose
• How Mountain Girls Can Love

I spent some time with the tenor CD and it’s great. The recordings are well done and these are quality arrangements worth learning. The band consists of Adam Steffey (mandolin), Megan Lynch (fiddle), Ned Luberecki (banjo), Daniel Hardin (bass), and Stephen Mougin (guitar). The vocals, the focus of the project, are sung by Stephen (lead vocal), Russell Moore (tenor), and Ronnie Bowman (baritone).

The first track for each song presents you with the full mix of the tune so you can get a feel for what the finished product should sound like. We all like to sing along with recordings, so go ahead do so, but be sure to spend some time just listening as well. Listen to the blend of the three vocals.

The second track for each tune consists of just the choruses of the song, cut together back to back, with only the band and the lead vocal. This track is important. It will help you learn the melody, as well as the phrasing and dynamics. I worked with Little Cabin Home On The Hill, and noticed that the final chorus is a bit different than the others. It’s got a minor little frill that sets it apart. This is common in bluegrass, and I’m glad they included it in the arrangement.

Once you’re comfortable with the melody, phrasing, and dynamics of the song, you can move on to the third track. This track is identical to the second, back to back choruses, with the tenor (or baritone, depending on which CD you’re working with) vocal, and no others. This allows you to hear the part you’re trying to learn. Still in the context of the band, you’ll hear where the harmony part lies within the chords. You can repeat this track until you’re confident that you know the part, then move on.

The fourth, and final, track for each tune is the same as the first, but with the harmony part removed. On the tenor CD, you’ll hear the full mix of the song, solos and verses included. On the choruses however, you’ll hear only the lead and baritone vocals. It’s up to you to provide the tenor part. This provides you with a sort of “jam along” track, where you can try out your new skills.

This is a great way to learn these parts, and I think you’ll learn more than just the five songs included on the disc. You’ll learn to hear where the parts are, and should be able to take your new skills and figure out the harmony to other songs as well.

The Bluegrass Harmony Training Series CDs are sold individually for $15 + S/H or you can purchase both the tenor and baritone CDs as a package for $25 + S/H.

Here’s a video introduction to the series.

Here’s another big milestone in the bluegrass world. Pete Wernick, aka Dr. Banjo, is celebrating his 25th anniversary offering his Winter Banjo Camps in Boulder, CO.

Wernick has long been known as a pioneer in bluegrass banjo instruction. His beginner book, Bluegrass Banjo, has sold better than 200,000 copies and his many instructional DVDs are also popular items. He was also a member of Hot Rize, a festival phenomenon in the 1990s who still performs reunion shows. Pete performs these days with Flexigrass, and as a duo with his wife, Joan.

His 25th Anniversary Winter Banjo Camps will be held in January 2010 at The Boulder Inn (Best Western).

• January 4-9: Basic Skills Banjo Camp
• January 11-16: Intermediate Banjo Camp
• January 18-23: Advanced Banjo Camp

Full details about these camps, including how skill levels are determined, can be found at www.drbanjo.com.