We’ve written several times about Canadian banjoist Jayme Stone and his musical journey of discovery in West Africa. He traveled to Mali in the Spring of 2007 to research the aspects of the banjo’s historical roots as they are maintained in the musical culture of today’s Africa, and shared his impressions with us in a four part banjo travelogue.

His visit was inspired after Jayme had a chance to meet with Mansa Sissoko, a Malian musician and storyteller in the griot tradition, where history and culture are preserved in song. Now, the two have a CD ready for release where the North American and African banjo sounds are woven together. Sissoko performs on the kora while Stone uses a modern 5 string banjo.

Joining them are Bassekou Kouyate on the ngoni and Casey Driessen on fiddle. The project is entitled Africa To Appalachia, and is scheduled for release in Canada on June 28, and in the US on September 9.

Audio samples and more details can be found on Jayme’s web site. He will also be touring in support of the CD in Canada this summer and in the US in the fall.

Canadian banjoist Jayme Stone was among the winners in this past weekend’s JUNO Awards ceremonies in Calgary. The awards are given by the Canadian Academy of Recording Arts and Sciences (CARAS) each year to Canadian recording artists and professionals for excellence in pop, jazz, classical, rock, country and a variety of roots and traditional music forms.

Stone received the Instrumental Album Of The Year award for his CD Utmost, which CARAS described thusly on its site:

A masterful banjoist, composer, educator, Stone’s music is steeped in the repertoire, technique, and lore of old-time and bluegrass music. He has studied with banjo elders Bela Fleck, Tony Trischka, and Bill Evans, as well as luminaries Bill Frisell and Dave Douglas. Though he is best known for his roots/jazz band Tricycle, his new album, The Utmost, features inventive roots music and a fresh new, sound.

Jayme’s next project is the culmination of his extensive travels in western Africa, researching the banjo’s roots, meeting and collaborating with African players, and writing/recording with them in the process. You can read the banjo travelogues that he prepared during his African visit last Spring here on The Bluegrass Blog.

He will also be featured in an upcoming CBC concert in Winnipeg that will showcase a wide variety of banjo music, including performances by Stone, Cathy Fink and Leonard Podolak among others. The concert will be recorded for a later Canada Live broadcast on CBC.

Look for details about the new CD (due 6/28) and Stone’s fall US tour to appear soon on his web site.

Canadian banjo player Jayme Stone shared a series of banjo travelogues with our readers during his recent musical journey through West Africa. Jayme was traveling on a Chalmers Arts Fellowship grant to research the music of African musicians who perform on banjo-like instruments, and will embark soon on a recording based on these musical explorations.

Last week, The Toronto Star ran a brief feature on Jayme’s trip in which he capsulized some of what he learned in Mali. You can read the piece online on the Star web site.

You can read Jayme’s banjo travelogues here on The Bluegrass Blog.

In a previous post, we told of Canadian banjo picker Jayme Stone’s journey through West Africa in preparation for an upcoming CD based on African banjo music. He has agreed to send us a series of updates from Africa – a banjo travelogue of sorts. Part 4 follows – with photos.

You can read all of his African journey posts here.

It’s been a while since my last broadcast. I’ve not had a spare moment since falling into the well of Bamako’s music scene last week. I started work at the National Institute for the Arts, an incredible resource, full to the brim with elder professors, wide-eyed students and an ambience of both high-brow education and down-home oral tradition. In a matter of hours I had interviewed Cheick Oumar Mara about the banjo’s roots, played with Toumani Diabate’s fiercely-talented fifteen-year-old son and magnetized an afternoon-long music session in the tree-shaded courtyard.

We went to renowned kora virtuoso Toumani Diabate’s house to pay our respects and he invited me to play that evening at his music haunt the Hogon. The show began at midnight, Toumani arrived after one and I joined his Symmetric Orchestra around two, playing well into the wee hours. It thoroughly rocked my world and I’d venture to say this is one of the most powerful bands in the world. Walk to (or click on) your favorite record store to buy their newly released album on Nonesuch: Boulevard of Independence. Incredible!

Spent the following day with Mama Sissoko, a legendary musician here who plays the ngoni ba, a large and dark-sounding brother to the ngoni. He was a joy to work with: wide smiles, eyes on fire and so so sweet. Evening found us at the annual Paris/Bamako Festival at the Institute for the Blind. Twelve hours of music including sets by Cheick Tidane Seck, Mamani Keita and of course the legendary Amadou and Miriam. An international crowd, fine street food, the dustiest air I’ve ever breathed and more dancing than your feet could know.

Having become entranced by the ngoni (and set on meeting ever player in town), we travelled in an early morning taxi to Lafiabougou to visit Adama Tounkara, Djelimady’s younger brother and first call ngonist. Adama is steeped in the traditional griot music and generously taught me one tune after another. The pedagogy here is as challenging as it is enlivening. People just start playing these rhythmically mysterious little melodies and just when you catch on, they throw in a variation, a countermelody, a blur of 32nd notes. It’s all done in time, with no chance to pause, practice or question. The music is alive!

More work at the INA this week and a series of sessions with a young maverick ngoni player named Abdoulaye Kone. Hope all’s well in your corner of the world!

Warmly,

J