Longtime readers of The Bluegrass Blog will have noted my fondness for The Bluegrass Intelligencer, a news parody site – a la The Onion – that focuses on personalities in the bluegrass and acoustic string world.

I find the site to be clever and uproariously funny, though you might want to be wary if you are easily offended by ribald themes or occasional vulgarity.

A number of new stories have been posted this past few days which should be good for a chuckle. One that really cracked me up covers a supposed new turn in the personal life of new Punch Brothers bassist, Paul Kowert.

Paul Kowert Weds Own Bass in Holy Matrimony – Ex-heartthrob forgoes female companionship forever

BROOKLYN — Young bassist Paul Kowert, who recently landed his dream job as a member of the popular band Punch Brothers, has just startled the bluegrass world by announcing that he is newly married.

According to his publicist, Kowert has taken a three-year-old American upright bass as his lawfully wedded spouse.

Kowert, who moved to New York City late last year, is an alumnus of the Curtis Institute of Music and the winner of SPBGMA’s Bachelor of the Year award in 2008.

Kowert’s highly unconventional marriage has both appalled traditionalists and delivered unthinkable disappointment to enormous numbers of female fans.

"He is a true Punch Brother now," said bandmate Chris Thile.

Read the full post online.

Also highlighted in that piece is a non-fake YouTube clip of Paul demonstrating his virtuosity on the upright bass, a brilliant duet with Punch Brothers fiddler Gabe Witcher on the Carter Family classic, You Are My Flower.

It’s hand held video from a live show, and gets a bit jerky, but Kowert’s performance is simply brilliant.

The Bluegrass Mix has added a new feature to their 24/7, streaming bluegrass radio service.

In addition to hosted programming and nationally-syndicated shows, they now offer an uninterrupted, “no talk” stream for online listeners who prefer to hear their bluegrass without announcers or commentary.

Bluegrass Mix is supported by donations from listeners, so the streams can be offered without traditional advertising spots.

To tune in, just visit www.bluegrassmix.com, and click on the Listen icon to choose between the hosted and non-hosted versions of their stream.

Tomorrow, March 31, is the release date for the long-anticipated second CD from Dailey & Vincent, Brothers From Different Mothers.

Following up a successful debut project is always tricky, with expectations from fan, media and industry all setting a high bar. After a mega-hit release like the self-titled Dailey & Vincent album of 2008, even greater scrutiny is likely. That CD led to universal critical acclaim, widespread radio play, and a grand total of 7 trophies at the 2008 International Bluegrass Music Awards.

Jamie Dailey and Darrin Vincent are not only superb singers, band leaders and producers – they are also serious students of the music business, having learned from some of the best our industry has to offer. Jamie spent 9 years with Doyle Lawson, eventually serving as his right hand man, while Darrin worked for ten years with Ricky Skaggs, not to mention being the brother of bluegrass superstar Rhonda Vincent.

So it’s no surprise to find this sophomore effort every bit the equal to its predecessor, with several of the more popular songs from the first finding a follow-up of sorts on the second. The song choices are all first rate, and the album has a more relaxed feel, as you would expect from a band that has put some miles on the road together before recording.

The singing is simply superb throughout, and their hot young pickers, Joe Dean on banjo and Adam Haynes on fiddle, really shine this time out. Dean played on the first album, but came in to recut existing banjo tracks. Here he shows a confidence and authority that is quite striking for such a young man.

The vocal trios and quartets are the band’s true strength, impeccably arranged and flawlessly performed. It doesn’t get much better than this.

We asked Jamie and Darrin to suggest a couple of songs from Brothers From Different Mothers which we could preview here, and they also shared some stories about how the songs ended up on the CD.

Head Hung Down -  Listen now:   

“We were just about done recording the album,” said Jamie, “and we still needed a real barn burner – something traditional – for the lead track. I called Robert Gateley, a terrific writer and friend of mine, and he said he’d just finished something that might work. We listened to it and loved it because it’s just such a fun song. So we arranged and recorded it that day. Then we started thinking it might be fun to have someone do the voice of the judge in the song. Everyone knows how much we love the Statler Brothers, and we thought of Harold Reid.”

“So we contacted him and asked if he’d do it,” Darrin continued, “and he was kind enough to say ‘yes.’ I took the equipment and we recorded it in the living room of his house last summer. He brought back his ‘Roadhog’ alter ego, and it’s just great. Then we realized that Harold and the Statlers had never recorded as guests on other people’s records, except for Johnny Cash, so we’re really honored that he’d do it.”

O Ye Must Be Born Again -  Listen now:   

“We include gospel music on our albums and in our shows, because it’s important for us to sing about what we believe,” Jamie says.  “This was one of the first songs we selected for this album, because it’s a great uptempo, gospel bluegrass number.”

“I had originally heard it on a CD by the Far City Boys,” adds Darrin, “and I remembered it when we were considering songs for this CD.”

You can sample all 12 tracks at CMT.com, and there is video of them from a recent Woodsongs Old Time Radio Hour show online.

The boys will be on WSM tonight (3/30) with Eddie Stubbs, starting at 9:00 p.m. (EDT), and you can catch that live at www.wsmonline.com.

Look for the CD on Tuesday wherever bluegrass music is sold.