Some of our readers may have seen a video documentary on Bill Monroe in the mid 1990s called Bill Monroe – Father Of Bluegrass Music. It aired on several PBS affiliate stations and The Nashville Network (TNN), and was briefly available on VHS and later DVD, but was not widely distributed – until now.
Using both archival footage and newly shot performances during Monroe’s final years, together with lengthy interviews, the film tells the story of Bill Monroe in his own words, with his own music. There are musical segments from Bill and The Blue Grass Boys along with a reunion performance featuring Del McCoury, Chubby Wise and Bill Keith.
Interviews on the impact of Bill Monroe’s music are included with artists as diverse as Jerry Garcia and Roy Acuff, as well as legends like Lester Flatt, Paul McCartney, Dolly Parton and John Hartford.
Bill Monroe – Father Of Bluegrass Music has been remastered for DVD and was re-released by MVD Entertainment in July of 2008, and is available now for purchase.
The 90 minute film was the brainchild of Steve Gelbhardt and Larry Nager, who wrote, produced and directed it as a labor of love while both held down full-time employment outside the music or film worlds. We had a chance to get some details from both of them about this film and how they came to create it.
Nager, who will host a screening and a panel discussion during IBMA week at The Country Music Hall Of Fame and Museum (10/2), shared a bit about his involvement.
“The film’s inception came through director Steve Gebhardt, who approached me about writing it (and writing a lot of the grant application materials). It was 1988 or 1989.
I was then music editor of the Cincinnati Post and before that, had played upright bass with Red Allen, the Harley Allen-Mike Lilly Band, the Katie Laur Band. At the time I was playing sporadic shows with former Blue Grass Boy, Tony Ellis (we were the first bluegrass group to play in Belarus). So the Bill Monroe project seemed a perfect fit, bringing together both my worlds. And Mr. Monroe was the reason I started playing in the first place, through an album I happened to pick up in 1969 when I was 15 – 16 Bluegrass Instrumentals.” (more…)
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