Clear Channel gives Bluegrass a try
Clear Channel Radio, often cynically portrayed by critics as embodying all that is wrong with corporate radio consolidation, has flipped a property in WV from Gospel to a Bluegrass/Americana format, effective March 30. The station is WCTR-AM, serving the Huntington, WV and Ashland, KY markets, who are now presenting themselves as 1420 AMericana - Home of Today’s New Grass. This marks the first time that a major radio group has chosen this sort of format for an over-the-air station, and Bobby Leach at Clear Channel is excited about the possibilities it offers the company.
Leach oversees the music choices for all Clear Channel stations in his position as Audio Distribution System Director. It is his office that is responsible for getting music into their central network, which is then available to any Clear Channel station for airplay. The notion of bluegrass and Americana programming for their properties is his baby, and a project he has both eagerly embraced and aggressively pursued since he volunteered to tackle it in October of 2005. Bobby hails from Ashland, and grew up around this music. His grandfather played fiddle in area bands as a young man, and Bobby recalls hearing the music of Flatt & Scruggs as a boy, and the thrill he got whenever he could find the WSM-AM signal at night from Nashville. WCTR played a country format at the time, but with a daytime only license.
It had occurred to Leach that this sort of music was currently flying under the corporate radio radar, while the audience was one that would be very attractive to radio advertisers. All the research he found showed that bluegrass fans were both more educated and affluent than the norm, and fiercely loyal to the music and the people who support it. He had anticipated the need to disabuse Clear Channel executives of hillbilly stereotypes when he pitched his idea, but found them open and receptive to the concept from the start. (more…)


Banjo player,
Episode #22 of The GrassCast features John’s interview with bluegrass historian, Neil Rosenberg. They discuss his book 




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IBMA members are accustomed to receiving a copy of the organization’s bimonthly publication, International Bluegrass, in the mail six times each year. Starting with the current March/April issue, most of the articles that make up each edition will be viewable from the 
Tim Scheerhorn’s name is among the most reverentially uttered in the world of resonator guitars. The instruments he builds are used by many of the most highly regarded players in bluegrass and acoustic music, and the reputation and limited availability of these finely crafted guitars fuels their status as a “must have” acquisition for serious reso-pickers.








